Entertainment

‘Mothevari Love Story’ web series review: Anil Geela leads a slice-of-life drama set in rural Telangana


Anil Geela on the sets

Anil Geela on the sets
| Photo Credit: Special Arrangement

Life in rural Telangana is often portrayed in Telugu cinema as laidback and unpretentious, with its residents adding quiet character to the setting. Mothevari Love Story, now streaming on ZEE5, draws from this familiar image to tell a gentle tale of romance, sibling friction, and family ties. The series stars Anil Geela, best known for My Village Showon YouTube, in a role that nudges viewers to reflect on familial bonds.

Set in Lambadipalli village, the story centres on brothers Sattaiah (Muralidhar Goud) and Narsing Yadav (RS Nandha), nicknamed Ram and Lakshman for their close bond and reputation for settling disputes at the local panchayat. But beneath the harmony, the series hints at tensions: of ego, inheritance, and simmering rivalry.

Things shift when the brothers learn that their father has willed five acres of land to a woman they have never met — Anumavva (Vijaya Lakshmi Balagam). Meanwhile, Anumavva’s grandson Parshi (Anil Geela) and Sattaiah’s daughter Anitha (Varshini Junnuthula) are hatching a plan to elope. Anitha, though, seems more caught up in making Reels than deciding on her future — mirroring the growing grip of social media in rural India.

Mothevari Love Story (Telugu)

Director: Shiva Krishna Burra

Cast: Anil Geela, Varshini, Muralidhar Goud

Episodes: 7

Story: The lives of two brothers turn topsy turvy when they discover that their father has left a five-acre land to a woman they do not know.

Streaming on: Zee5

Though the prologue hints at an emotional undercurrent, writer-director Shiva Krishna Burra begins Mothevari Love Story on a breezy note, reflecting the rhythms of daily life in the village. One particularly entertaining episode features a cameo by Gangavva, who sends the village into chaos when her jewellery goes missing.

As the series unfolds, the lighthearted tone is interrupted by a story of love and longing from the past, offering a contrast to the playful dynamic between Parshi and Anitha. A pair of gold bangles, a deceased man’s will, and a disputed property serve as narrative pivots, gradually unearthing layers of selfishness, silence, and generational friction. The title, Mothevari, referring to the wealthy man at the heart of it all, gains significance as questions of inheritance and entitlement surface.

Across its seven episodes, the series keeps things straightforward, perhaps in deference to the YouTube audience that first embraced Anil Geela’s work. It is Muralidhar Goud and Vijaya Lakshmi Balagam who anchor the emotional core, drawing on their craft to bring depth to their roles. Anil and Varshini, while initially light in tone, eventually lend more weight to their characters. The rest of the ensemble is underutilised, often fading into the background.

The soundtrack, though well-intentioned, feels mismatched and slows the pace.

In a digital space increasingly filled with dark, layered storytelling, Mothevari Love Story opts for a more conventional route — a low-stakes, watchable family drama that stays within its comfort zone.

(The series streams on Zee5)



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‘Memory card’ controversy rocks Malayalam actors’ body AMMA ahead of election


Actor Kukku Parameswaran 

Actor Kukku Parameswaran 

With hardly a week left for the election to its governing committee, the ‘memory card’ issue continues to rock the Association of Malayalam Movie Artists (AMMA) with its women members now resorting to petitions and counter petitions.

The allegation is that a meeting of AMMA’s women members held in 2018 in the wake of the formation of the Hema Committee by the Kerala government was videographed and preserved as a memory card. The dispute has now erupted over the whereabouts of the said memory card amid apprehensions of its leak, as the video footage reportedly had open revelations about bad experiences faced by some members. A section of actors, including Usha Haseena and Ponnamma Babu, has cornered their colleague Kukku Parameswaran over the matter.

Offended by the allegations, Ms. Parameswaran, who is contesting to the post of general secretary in the forthcoming election, has now lodged a petition with the State Police Chief naming her detractors for allegedly having engaged in a defamatory campaign against her, including on social media.

“I am being accused of something, which has nothing to do with me or to which I am not party of. Also, why raise a matter all these years later?” she told The Hindu.

She, however, declined to reveal the names mentioned in her petition. “I have named all those who have taken my name in the matter,” is all what she would say.

Ms. Haseena countered it by a petition on her own to the State Police Chief, AMMA, the Chief Minister, Kerala State Women’s Commission and Kerala State Human Rights Commission.

“I was planning to move a petition to AMMA alone seeking clarity on the memory card since I was told not to move legally before the AMMA election. As the request was fair, I was prepared to oblige despite taking a legal advice. Then I came to know that she (Ms. Parameswaran) had moved a petition whereas we are the original complainants (when it comes to the memory card),” she said.

Ms. Babu said she would also a move a petition to AMMA over the memory card issue. “There is a WhatsApp group of women members of AMMA. Had the questions over the memory card been properly answered in that group, the issue could have been be settled there itself,” she said.

Things have been on the boil in AMMA ever since the election was declared. Actor Jagadeesh, who had thrown his hat into the ring by filing nominations to the post of president, withdrew it in the last minute following perceived objections. Baburaj was also forced to withdraw from contesting to the post of general secretary after a section of AMMA members publicly demanded for his withdrawal citing the allegations against him in the wake of the Hema Committee report.

Shweta Menon, who is contesting to the post of the president, has found herself slapped with a case allegedly for acting in movies with vulgar and obscene content for financial gains, though it was later stayed by the Kerala High Court. The case against Ms. Menon also led to mudslinging among the members.



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Aditi Rao Hydari to receive Diversity in Cinema award at Indian Film Festival of Melbourne 2025


Actor Aditi Rao Hydari will be felicitated with the Diversity in Cinema Award at the upcoming edition of the Indian Film Festival of Melbourne (IFFM), the organisers announced on Friday.

The actor will attend the festival as guest of honour. She will be recognised for her immense contribution to cinema and her impactful performances across mediums, a press release said.

“Aditi, who captured hearts with her unforgettable portrayal of Bibbo Jaan in ‘Heeramandi’, continues to mesmerize global audiences with her poise, talent, and effortless screen presence. Her participation in IFFM 2025 is expected to elevate the excitement and add a regal charm to the gala celebration of Indian cinema on foreign shores,” it added.

Hydari, known for her roles in films such as Padmaavat, Kaatru Veliyidai, Chekka Chivantha Vaanam, Sufiyum Sujatayum, and the series Jubilee, described the Diversity in Cinema Award as a “special honour.” “Melbourne has always been warm and welcoming, and to be celebrated in a city that celebrates cinema with such passion is deeply humbling,” the actor said in a statement.

ALSO READ: I try to be fearless when I pick my films: Aditi Rao Hydari, who is looking forward to ‘Sufiyum Sujathayum’

The 2025 edition of IFFM will be held from August 14 to 24 across Melbourne, featuring a packed schedule of screenings, red carpet galas, industry panels, and the IFFM Awards.



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Trailer of ‘The Office’ spin-off ‘The Paper’ unveils its new setting: a struggling local newspaper


Poster of ‘The Paper’

Poster of ‘The Paper’
| Photo Credit: Peacock

Peacock on Thursday (August 7) unveiled the trailer of The Paper, the much-awaited spin-off of the globally-acclaimed comedy series The Office. Created by The Office showrunner Greg Daniels, along with Michael Koman, the first four episodes of the ten-episode mockumentary will premiere on Peacock on September 4, with two new episodes releasing every Thursday.

Set within the universe of the iconic Dunder Mifflin paper company, the setting of NBC’s Emmy-winning show, The Paper follows the documentary crew, formerly focused on the antics of Dunder Mifflin’s Scranton branch, as they pivot to capturing the struggles and triumphs of a historic newspaper, The Toledo Truth Teller.

“Enervate sells products made out of paper: toilet tissues, toilet seat protectors, and local newspapers (Toledo Truth Teller). And that is in order of quality,” says the cocky head of a paper manufacturing company, briefing on the state of the local newspaper. We are then introduced to the many colourful employees of the Toledo Truth Teller office, who are surprised by the entrance of a new editor-in-chief who promises to shake things up and revive the daily.

But as Ted Sampson (Domhnall Gleeson) soon learns, it isn’t going to be easy. With no money to hire reporters, he recruits volunteers from the non-editorial staff of the newspaper to write stories. In a welcome surprise, we also see Oscar Nuñez reprising his role as Oscar Martinez from The Office, though details about how he fits into the story of the Toledo Truth Teller are kept under wraps.

Fascinatingly, much of the crew that worked on The Office is set to return to the sets of The Paper. According to The Hollywood Reporter, the director lineup includes several The Office alumni, including Ken Kwapis, Paul Lieberstein, Jennifer Celotta, Matt Sohn, Dave Rogers and Jeffrey Blitz. Yana Gorskaya, Tazbah Chavez and Jason Woliner are also helming some of the episodes.

The cast of the new series also features Sabrina Impacciatore, Chelsea Frei, Melvin Gregg, Gbemisola Ikumelo, Alex Edelman, Ramona Young and Tim Key. Duane Shepard Sr., Allan Havey, Nate Jackson, Mo Welch, Nancy Lenehan, Molly Ephraim and Tracy Letts appear in guest roles. Interestingly, Ikumelo, Edelman, Rahill and Welch are also part of the writers team of the series.

The Paper is produced by Universal Television. Daniels and Koman also executive produce. Ricky Gervais, who created the original British version of The Office, executive produces alng with Stephen Merchant, Howard Klein, Ben Silverman and Banijay Americas.

The new trailer has certainly added to the hype surrounding The Paper. The Office, which premiered in 2005 and ran for nine successful seasons, remains a cultural touchstone, thanks to its memorable ensemble cast led by Steve Carell.



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‘Kyunki Saas Bhi Kabhi Bahu Thi’ makes historic return, clocks 1.6 billion watch minutes in launch week


Smriti Irani in ‘Kyunki Saas Bhi Kabhi Bahu Thi 2’.

Smriti Irani in ‘Kyunki Saas Bhi Kabhi Bahu Thi 2’.

Popular daily soap Kyunki Saas Bhi Kabhi Bahu Thi has made a spectacular comeback with its second season, clocking over 1.659 billion minutes of watch time across television and streaming platforms in the launch week, broadcaster Star Plus said on Thursday.

The Ektaa Kapoor-created show, which returned on July 29, witnessed a massive response, drawing 31.1 million TV viewers in just four days, with 15.4 million tuning in for the premiere episode alone, a press release said.

This makes it the highest-rated fiction launch across general entertainment channels (GECs) in recent times and the biggest-ever GEC fiction debut across both television and digital in India, it added.

The show also topped the weekly television rating points (TRP) charts, jointly leading with Anupamaa at a TRP of 2.3, according to data provided by Broadcast Audience Research Council of India (BARC).

It ranked ahead of Yeh Rishta Kya Kehlata Hai (2.0), Laughter Chefs (2.0), and Taarak Mehta Ka Ooltah Chashmah (1.9), cementing its status as the most-watched fiction show of the week.

In the revival of Kyunki Saas Bhi Kabhi Bahu Thi, the daily soap that once defined Indian prime-time television in the early 2000s, actor-turned-politician Smriti Irani returns as the iconic Tulsi Virani, joining a mix of familiar faces and fresh talent.

“The return of Kyunki Saas Bhi Kabhi Bahu Thi has proven that great storytelling never loses its power. We approached this launch with a two-fold vision: to reignite the deep nostalgia associated with one of India’s most iconic shows, while also crafting a contemporary storyline and viewing experience that resonates with today’s audiences.

ALSO READ: ‘Balika Vadhu’ star Avika Gor announces engagement to Milind Chandwani

“The record-breaking numbers across Star Plus reaffirm our belief in the timeless appeal of compelling narratives. This launch is a cultural moment that bridges generations, and we are proud to have delivered it to millions of homes across platforms,” Sumanta Bose, Head of Cluster, Entertainment (Star Plus and Bharat, Bengali, Marathi and Gujarati), JioStar, said in a statement.

The show also generated significant online buzz, garnering over 17,300 mentions across social media platforms, according to the channel.



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‘Kammatam’: ZEE5 announces maiden Malayalam original web series; release date out


Poster of ‘Kammatam’

Poster of ‘Kammatam’
| Photo Credit: ZEE5

Streaming platform ZEE5 on Thursday (August 7) announced its maiden Malayalam original web series, Kammatam, a suspense crime investigation starring Sudev Nair in the lead.

The platform unveiled a first-look motion poster to announce the news.

Directed by Shan Thulasidharan, the six-episode series is based on a real-life incident that shook Thrissur and the state of Kerala. “When planter Samuel Umman dies in a suspected road accident, Circle Inspector Antonio George senses something is off, especially when he notices a missing necklace at the scene. His investigation leads to Shaji, an auto driver with a criminal past, who is soon found dead in a quarry. A mysterious two-wheeler at a construction site points to deeper involvement, and all clues slowly circle back to Francis, a quiet worker from Samuel’s plantation. As Antonio digs deeper, what unravels is a chilling web of deceit, silence, and secrets buried far beneath the surface,” reads the logline.

In a statement, director Shan Thulasidharan called Kammatam a grounded thriller. “The story draws its strength from the community’s closeness, yet secrets run deep. Filming in such an authentic setting allowed us to bring out the eerie normalcy that surrounds the unfolding mystery. We focused on telling a taut, character-driven story that feels real, unsettling, and deeply rooted in Kerala’s cultural fabric”

Meanwhile, Lloyd Xavier, Senior Vice President – Marketing South and Business Head – ZEE5 Tamil & Malayalam, said, “Kammatam exemplifies the compelling storytelling that defines Malayalam content, rooted, realistic and deeply engaging. Inspired by true events and set against the nuanced backdrop of small-town Kerala, the series delivers a gripping narrative with morally complex characters and sharp investigative drama. As we continue to strengthen our Malayalam slate, Kammatam reinforces our commitment to offering content that not only entertains but also reflects the cultural and emotional depth of the region.”

The cast of the series also features Jins, Jeo Baby, Ajay Vaasudev, Akhil Kavalayoor, Arun Sol, Sreerekha, and Jordy Poonjaa. Produced by 23 Feet Productions, the series premieres on ZEE5 on August 29.





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Robert Pattinson’s ‘The Batman Part II’ to begin filming in 2026, release set for October 2027


A still from ‘The Batman’

A still from ‘The Batman’
| Photo Credit: JONATHAN OLLEY

Fans of Robert Pattinson’s Batmanfinally have a reason to celebrate. Warner Bros. Discovery has confirmed that The Batman Part II will begin filming in spring 2026. The film is set to release in theatres on October 1, 2027.

According to Variety, the update was shared in the company’s recent letter to shareholders, where it also praised the success of Superman, directed by James Gunn. The new Superman movie has earned nearly $550 million at the global box office so far.

In the letter, Warner Bros. called the DC Universe “one of the most valuable assets in entertainment” and shared updates about other upcoming DC projects. These include Supergirl: Woman of Tomorrow and Clayface in 2026, and a new Wonder Woman film. The letter also confirmed that The Batman Part II is part of this big vision.

“In film, James Gunn is busy preparing the next instalments of the DC super family, including Supergirl: Woman of Tomorrow (2026), Clayface (2026) and the next Wonder Woman. In addition, The Batman II (2027) is preparing to begin shooting next spring, among several other projects in development. The 10-year vision for the DC universe also includes an exciting array of television projects, including The Penguin, the upcoming new season of Peacemaker, and the debut of Lanterns in 2026. In a precise and measured way, the DC franchise will increasingly overlay across the studio’s broader efforts: from film and TV to consumer products, games, experiences and social,” wrote the company.

The upcoming film will bring back Robert Pattinson in the lead role, and it will once again be directed by Matt Reeves. The first Batman movie, released in March 2022, was a big hit and earned $772 million worldwide. Since then, fans have been waiting for news about the next chapter.

Production was delayed last year when the film’s original release date was pushed from October 2026 to October 2027. But Warner Bros. recently confirmed to Variety that director Reeves has finished the script, and filming is ready to begin next year.



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‘Ghich Pich’ movie review: Inside the cramped father-son dynamic


In the march of civilisation, some dear words are in danger of falling by the wayside. One of them is Ghich Pich. It can be loosely translated as cramped space, but it is a state of mind that a single word can’t explain. Much like the nostalgia of the 1990s, young filmmakers continue to revisit it to tell coming-of-age stories.

It is a template where the focus is on providing an experience, and in the hands of director Ankur Singla, the emotional and physical architecture feels tangible and honest as he captures a slice of life from three Chandigarh boys grappling with hormonal rush and daddy issues.

Set in pre-smartphone India of the 90s, when posters of Chandrachur Singh and Sonali Bendre decorated the walls of the young, and Monsoon Wedding was playing at the neighbourhood theatre, the Commerce students are invested in their little dreams, oblivious to the ledger of life when Ghich Pich happens.

Kabir Nanda, Aryan Singh Rana, and Shhivam Kakar in a still from ‘Ghich Pich’

Kabir Nanda, Aryan Singh Rana, and Shhivam Kakar in a still from ‘Ghich Pich’
| Photo Credit:
Special Arrangement

The camera tracks into a classroom unannounced, and we start following the unhurried life of Gaurav (Shhivam Kakar), Anurag (Aryan Singh Rana), and Gurpreet (Kabir Nanda). Son of a merchant who is in the business of optics, the back-bencher Gaurav’s gaze of the world around him changes when he finds that his father (the late Nitesh Pandey) is in a homosexual relationship.

Meanwhile, the high-scoring Anurag is burdened by the expectations of a domineering father (Satyajit Sharma) who wants his son to jump multiple ‘orbits’ in one lifetime. He draws those orbits with water on the table, and their diaphanous nature becomes a metaphor for how fathers inadvertently saddle their kids with their unfulfilled dreams.

Ghich Pich (Hindi)

Director: Ankur Singla

Cast: Shhivam Kakar, Aryan Singh Rana, Kabir Nanda, Nitesh Pandey, Geeta Agrawal Sharma, Satyajit Sharma

Duration: 89 minutes

Storyline: The coming-of-age story of three Chandigarh boys grappling with decisions their fathers have made for them and values they have inherited.

Gurpreet wants to be a cricketer, but he also wants to run after a classmate who appears way out of his league. Removing his turban and hair seems to be a solution for the young Sikh, but it strains his relationship with his devout father. As Anurag and Gurpreet discover, in Indian families, the father becomes synonymous with tradition; however, in Gaurav’s case, his father is a victim of custom, and he suffers from social prejudice.

Ankur generates the teenage angst, and the father-son dynamic doesn’t feel choreographed. The fathers are not cardboard, and the boys are being boys, making mistakes, feeling insecure, and finding ways around societal values. The film doesn’t judge its characters, and more importantly, doesn’t make a show of its progressive undertones. It seeks the middle ground where both parents and children can inform each other’s world views. It is not just the cover; the soul of the film, too, is very middle-class, capturing its value system and the little latent volcanoes families carry in their folds.

Kabir Nanda, Nishan Cheema and others in a still from ‘Ghich Pich’

Kabir Nanda, Nishan Cheema and others in a still from ‘Ghich Pich’
| Photo Credit:
Special Arrangement

Nitesh, in perhaps his last outing, moves one to tears with his portrayal of a vulnerable father. Every time one feels that Geeta Agrawal has essayed all shades of a mother, she comes up with a new one. She minimises the screen barrier between the audience and the actor. Satyajit is efficient, but it is the young actors who keep the emotional tapestry rough and realistic at the edges. That late-night outing without telling the parents, the mystery of blank calls on landlines, the anxiety of getting the report card signed by the father, and the ruse to spend some time in the medical room — the writing makes one relive the little joys of school days.

Written from the point of view of boys, the young girls in the film exist only to serve the emotional interests of the boys, and there are passages where it feels like we are flipping through someone’s family album. However, before nostalgia becomes nauseating, Ankur generates a sense of ghich pich between two generations.

Ghich Pich is currently running in theatres

Published – August 08, 2025 12:44 pm IST



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American conductor Andrew Litton is all set for his India debut


American conductor Andrew Litton loves to joke about how many think he is British. Perhaps, because, at 23, he became the youngest recipient of the BBC/ Rupert Foundation International Conductors Competition in London. “I also spent my early career with the Royal Philharmonic Orchestra and Bournemouth Symphony Orchestra in the U.K. My name sounds British too and people put a ‘Sir’ before my name,” he says.

The 66-year-old, New York-based Andrew has also conducted orchestras in the US, Norway and Italy. After four decades in the field, he makes his India debut with two shows for the Symphony Orchestra of India (SOI), this year’s Autumn Season at Mumbai’s Jamshed Bhabha Theatre. The August 12 programme will comprise Richard Wagner’s ‘Prelude and Lieberstod from Tristan Und Isolde’ and Gustav Mahler’s ‘Symphony No 5’, while the 17 August programme will have Maurice Ravel’s famous Bolero, Pyotr Ilyich Tchaikovsky’s ‘Piano Concerto No 1’ with Russian-Swiss soloist Konstantin Scherbakov, and Igor Stravinsky’s ‘Suite from The Firebird, 1945 Version’.

His other two shows this season — on August 22 and 26 — will feature British conductor Martyn Brabbins, whose repertoire includes Nikolai Rimsky-Korsakov, Dmitri Shostakovich, Edward Elgar, Tchaikovsky and Sergei Prokofiev.

He often jokes about many thinking he is British.

He often jokes about many thinking he is British.
| Photo Credit:
Special Arrangement

Though Andrew started off as a pianist, he was drawn to conducting. He recalls, “I was about 10 or 11 when I attended these presentations by Leonard Bernstein. The first one didn’t make any sense to me as Bernstein used a lot of technical terms. But later, I attended another of his presentations. I saw him jump up-and-down in his usual manner and I was fascinated by some of the things he said. Till that day, I wanted to become a fireman, the kind one sees in movies from the 1960s. Suddenly, I wanted to become a conductor.”

Having done his Masters of Music in piano and conducting, and then winning the BBC award, he became an assistant conductor at the Teatro Alla Scala in Milan and later at the National Symphony Orchestra, Washington under noted cellist and conductor Mstislav Rostropovich. He also played the piano with the Russian ballet dancer Rudolf Nureyev. “Till then, I was learning to follow sound. This taught me to follow sight as I had to synchronise with the dancer’s moves.”

Many conducting assignments followed, and at 44, he received the Yale University’s Sanford Medal, which is awarded to celebrated concert artistes. He even has a discography of 144 CDs, including a large number of concert recordings. “I am basically involved in the performing arts. So I’d always prefer to play in front of a thousand people, rather than sit in a studio where there is no audience,” he says. 

Andrew says that even before the organisers (the National Centre For The Performing Arts) contacted his manager for the Mumbai shows, he had heard about the SOI. “When they told me they wanted to do Mahler’s No 5, I immediately agreed. It’s a symphony I have conducted for 30 years, yet each time it offers a fresh challenge,” he adds.

According to Andrew , the five movements capture various moods like sorrow, struggle, joy and love. He points out, “Mahler wrote the famous fourth movement (Adagietto) as a love ode to his wife, Alma Schindler, whom he met when he was going through a rough phase. Unfortunately, that piece, like Elgar’s ‘Nimrod’, is often misinterpreted and played at funerals.”

Like any orchestra he’s conducting for the first time, Andrew’s focus with the SOI is to “observe them play, listen to them, see what to add or change and produce the best music possible together.” It’s also his first time with pianist Scherbakov. He says, “I’m looking to make good friends with another musician. Though I’ve conducted Tchaikovsky’s piano concertos often, I usually leave it up to the soloist to interpret the piano portions. I will oversee the orchestra but the approach will be different from a symphony.”

Of the other pieces, he says, Stravinsky’s The Firebird, though written in 1910, is best heard in its 1945 version, which he will play. He explains, “The composer was best known to keep revising his pieces, and in this version, he had cut off almost 20 minutes, making it more accessible for the audience and playable for any orchestra.”

The conductor feels opening any concert with Ravel’s Bolero is a “bizarre thing”, but it works well because everyone in the audience knows the tune. He says, “It can actually be more challenging than the more complex pieces because every musician has to maintain the tempo and ensure that it doesn’t suddenly get loud. What’s worrisome is that if one makes the slightest mistake in Bolero, the audience will point it out.”

Andrew feels opening any concert with Ravel’s Bolero is challenging.

Andrew feels opening any concert with Ravel’s Bolero is challenging.
| Photo Credit:
Special Arrangement

Though Andrew admits he isn’t familiar with Indian music, he remembers being inspired after attending sitar maestro Ravi Shankar’s show years ago. “Besides the concerts, there are a couple of things I want to do on this visit. One is to meet someone who can explain to me how Indian music functions. Two, I’d like to taste as much Indian cuisine as possible, things we don’t get back in New York,” he concludes, with a laugh.

Published – August 08, 2025 12:43 pm IST



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‘Paradise’: Nani’s first look as Jadal in Srikanth Odela’s film out


First-look poster of Nani from ‘The Paradise’.

First-look poster of Nani from ‘The Paradise’.
| Photo Credit: @odela_srikanth/X

The makers of TheParadisehave released the first look of Nani from the movie. The film is directed by Srikanth Odela, who previously made the hit Dasara (2023) with Nani.

In an intense and wild look, Nani appears with two braids, nose piercings and a bindi. An collection of weapons are seen in the background. The poster hints at a never-before-seen avatar of Nani in Telugu cinema.

In March 03, 2025, the makers had revealed a glimpse of the movie. The Paradise is a story of a rebellious man who grew into a leader, purportedly for the people who had been neglected. According to reports, the film is touted to be an examination of societal prejudice set against the backdrop of 1980s Secunderabad

Raghav Juyal of Kill fame has joined the cast of the movie. “After watching Kill and witnessing Raghav’s menacing performance, we were convinced he was the perfect fit for the role of a ruthless guy,” Odela had told about the casting of Juyal to Variety.

ALSO READ: ‘The Paradise’: ‘Kill’ star Raghav Juyal joins Nani’s next with Srikanth Odela

The film’s technical crew includes music composer Anirudh Ravichander, cinematographer GK Vishnu, production designer Avinash Kolla and editor Navin Nooli. The Paradise, bankrolled by Sudhakar Cherukuri under his Sri Lakshmi Venkateswara Cinemas banner, is slated to release in theatres in multiple languages on March 26, 2026.



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