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‘I Know What You Did Last Summer’ movie review: Return to Southport fails to reel you in


A still from ‘I Know What You Did Last Summer’

A still from ‘I Know What You Did Last Summer’
| Photo Credit: Sony Pictures

The best slasher films offer a particular gory comfort, with the chase, deaths and a kind of twisted logic. I Know What You Did Last Summer (1997) based on Lois Duncan’s 1973 young adult novel was immense fun and spawned two sequels, I Still Know What You Did Last Summer (1998) and I’ll Always Know What You Did Last Summer (2006), a series in 2021 and countless headline options to sub-editors.

The latest reboot after the show was cancelled, is a sequel to I Still Know What You Did Last Summer and features the two survivors of the 1997 Southport massacre, Julie (Jennifer Love Hewitt) and Ray (Freddie Prinze Jr.).

I Know What You Did Last Summer (English)

Director: Jennifer Kaytin Robinson

Cast: Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, Billy Campbell, Gabbriette Bechtel, Austin Nichols, Freddie Prinze Jr., Jennifer Love Hewitt

Runtime: 111 minutes

Storyline: Five friends are haunted by a death they were responsible for a year ago

Southport has a new bunch of terrorised friends — Danica (Madelyn Cline), Ava (Chase Sui Wonders), Milo (Jonah Hauer-King), Teddy (Tyriq Withers) and Stevie (Sarah Pidgeon).

After Danica and Teddy’s engagement party, the five friends go for a drive on the winding cliff road where a terrible accident occurs. Stevie, who had a problem with substance abuse, just got cleaned up and was working at Ray’s bar when she joined the friends on the fateful cliff road drive. The five friends decide to keep quiet about their involvement and go their separate ways.

A year later, Ava returns to Southport for Danica’s bridal shower. The events of the previous year naturally have affected the friends. Teddy, whose father, Grant, (Billy Campbell) a wealthy real estate mogul who “scrubbed the internet” of all mentions of the earlier killings, spirals out of control prompting Danica to break their engagement. Danica is now engaged to sweet Wyatt (Joshua Orpin).

A still from ‘I Know What You Did Last Summer’

A still from ‘I Know What You Did Last Summer’
| Photo Credit:
Sony Pictures

On her flight to Southport, Ava meets Tyler (Gabbriette Bechtel) who hosts a true crime podcast called Live, Laugh, Slaughter (one wonders how slaughter is a laughing matter) and is coming to North Carolina to follow up on the 1997 Southport killings.

Soon enough Danica gets an anonymous note saying, yes, “I Know What You Did Last Summer,” and it all starts again — the hook, slicker, hat, blood and bodies. The kills are not particularly imaginative, the chases are on the wrong side of thrilling and the final reveal will have your eyes roll right out of their sockets.

While it was nice to see Prinze Jr. and Hewitt reprise their roles, I Know What You Did Last Summer offers nothing new by way of plot, character or dialogue. The young cast act for all they are worth and the effort shows. The movie provides unintentional laughs with memories of Keenen Ivory Wayans’ Scary Movie (2000). Unless, one can come up with radically new twists to the slasher formula, it is probably time to lay the hooks and ghostface to rest. Sigh.

I Know What You Did Last Summer is currently running in theatres



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‘Saiyaara’ movie review: Ahaan Panday, Aneet Padda make this bittersweet romance sparkle


Ahaan Panday and Aneet Padda in a still from ‘Saiyaara’ 

Ahaan Panday and Aneet Padda in a still from ‘Saiyaara’ 
| Photo Credit: Special Arrangement

After delivering logs of deadwood, Mohit Suri, who loves to paint doomed romance on celluloid, returns to his Aashiqui roots with a fresh coat of mush whose ebbs and flows make one feel volatile and vulnerable in equal measure. An uplifting tale of unalloyed love whose pathos leaves its soot on the young souls, Saiyaaracarries the brooding intensity of a Mahesh Bhatt romance in the body of a maudlin Yash Raj love story.

With mental health as the villain of the piece, the story echoes the times when love is reduced to a lollipop by market forces. In the digital age, Mohit dials back to the pre-rom-com era, when heartache travelled through the screen on the wings of melodies, sacrifice was considered a virtue, and selfless love was celebrated.

A still from ‘Saiyaara’ 

A still from ‘Saiyaara’ 
| Photo Credit:
Special Arrangement

Led by Irshad Kamil’s Saiyaara mera badla nahin hai, Mausam thoda badla hua hai (My love, you are the same, only the time has turned its back on us), the tripping soundtrack, put together by five composers, grows on your senses.

At the core, Mohit follows his template where Krish, a hot-headed emerging singer-composer, finds a calming influence in Vaani, a journalist who has a way with words but no desire for social media likes. As she gives his tunes a meaning, memories get made and magic happens. But if the memory of the beloved fades, can we continue making new memories with the same partner? Mohit poses this question to the Instagram generation.

Saiyaara (Hindi)

Director: Mohit Suri

Cast: Ahaan Panday, Aneet Padda, Geeta Agrawal, Varun Badola, Rajesh Kumar, Alam Khan

Runtime: 150 minutes

Storyline: A headstrong singer grappling with daddy issues finds an anchor when a journalist gives words to his wandering tunes.

As Krish and Vaani, the driving force is the young pair of Ahaan Panday and Aneet Padda. After a long time, one has found two newcomers who portray the young generation not as giggly, curvy, angry cardboard cutouts, but as rooted, rational, responsible people in flesh and blood.

While debutant Ahaan has a mercurial screen presence and combines the conviction of an actor with the charm of a star, Aneet shows shades of a dynamic performer who can make you laugh and cry. Not just a pretty, vulnerable face, she displays substantial dramatic depth in a complex role.

A still from ‘Saiyaara’ 

A still from ‘Saiyaara’ 
| Photo Credit:
Special Arrangement

As Vaani, she is the voice of the film, the conscience keeper of the tumultuous love story between a budding musician facing daddy issues and a songwriter damaged by a toxic relationship. As the two heal each other, we get on a roller coaster ride interspersed with gloom and glory. The proverbial spark that gives a kick to a love story is palpable between the two and keeps the narrative afloat even when cliches raise their head and digital designs obstruct the organic flow.

Saiyaara is currently running in theatres



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‘Ekka’ movie review: Yuva Rajkumar gives his all to a script that doesn’t reward his effort


Yuva Rajkumar in ‘Ekka’.

Yuva Rajkumar in ‘Ekka’.
| Photo Credit: Special Arrangement

No industry is obsessed with the idea of an innocent small-town man getting drawn into the underworld as much as Sandalwood. Ekka(Ace card) has a very familiar hero character, and that is its first big issue. Circumstances force Muthu (Yuva Rajkumar), a kind-hearted youngster, to turn into a beast.

Muthu’s mother (Shruthi) always reminds his son that he has a child and an animal within him; this is the film’s second problem. Everybody keeps repeating the obvious. The protagonist doesn’t miss a chance to express his wish to return to his hometown for a peaceful sleep.

An eccentric cop arrives to clean the city of lawbreakers, and this is Ekka’s third issue. It forgets that a maverick cop has a sharp brain apart from his peculiar approach to curbing crime.

Yuva Rajkumar and Sanjana Anand in ‘Ekka’.

Yuva Rajkumar and Sanjana Anand in ‘Ekka’.
| Photo Credit:
Special Arrangement

In Rohit Padaki’s third directorial, every major character gets introduced with a promise, only to fizzle away without depth. Ekka is relatable in some places, like when Muthu is shocked to see exorbitant rates at a fancy restaurant or when a bar dancer confronts men who pass demeaning comments. Muthu feels genuine when he says he came to Bengaluru in search of someone, but is now searching for his true self.

Ekka (Kannada)

Director: Rohit Padaki

Cast: Yuva Rajkumar, Sanjana Anand, Sampada Hulivana, Atul Kulkarni, Poornachandra Mysore, Aditya

Runtime: 148 minutes

Storyline: Muttu, a small-town man, who comes to the city with big dreams. Circumstances pushes him to pushes him towards crime, and there is no going back for the innocent youngster.

Apart from these few promising moments, Ekka narrates a clichéd story. In dire need to save his house, Muthu arrives in Bengaluru to make money. A watchable first half is built on Muthu’s courting of his neighbour Nandhini (Sanjana Anand), and his endearing bond with a little girl Pammi, who calls him Superman. Muthu’s kindness could become his biggest problem, warns a character, and it turns out to be true.

Yuva Rajkumar and Sampada Hulivana in ‘Ekka’

Yuva Rajkumar and Sampada Hulivana in ‘Ekka’
| Photo Credit:
Special Arrangement

The screenplay keeps going around in circles, promising a surprise at every turn but settling for low-hanging fruit. Themes of betrayal, vengeance, and transformation are dealt with superficially, with the antagonists nowhere close to being convincing. Atul Kulkarni, who plays a compassionate don, is watchable as always, but you expect these actors to be put in more complex characters. Poornachandra Mysore, to an extent, stands out by exuding some energy into his caricaturish role of a loyal henchman.

The ever-dependable Charan Raj is the much-needed soul to the film with his variety of background scores that not only do justice to the gangster genre but also suit the tonal shifts of the character’s journey. Apart from complementing the slickly shot action scenes, Satya Hegde’s cinematography makes you feel like you are right in the middle of several chase sequences.

Yuva’s next is with Suri, who is a master at reinventing the crime genre. Ekka has a strong hangover of a Suri film, but falls short in matching the filmmaker’s control over telling a gripping gangster drama, like we witnessed in Jackie (2010)starring Puneeth Rajkumar.

Ekka is currently running in theatres



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‘Lord of Mysteries’ explained: A beginner’s guide to the complex power system


The latest donghua hit, Lord of Mysteries, is a dark fantasy set in a Victorian-era world filled with arcane secrets, shadowy organisations, and a surprisingly grounded system of magic. But for newcomers, its dense lore and layered power system can quickly feel overwhelming. If you’re just getting into the story, whether through the original web novel or the new anime adaptation on Crunchyroll, this guide will help you understand how its complex power system works.

Originally serialised on China’s Qidian platform between 2018 and 2020, Lord of Mysteries — written by the pseudonymous Cuttlefish That Loves Diving — is widely regarded as one of the most ambitious and tightly structured web novels of its generation. A genre-blending epic that fuses steampunk aesthetics with Lovecraftian horror and esoteric mysticism, it has amassed tens of millions of readers, inspired passionate fan theories, and now finds itself adapted into a gorgeously animated series.

Lord of Mysteries is primarily a story about knowledge and power — how to gain it, how to survive it, and how easily it can unravel the self. This guide is for newcomers curious about the world’s strange but meticulously constructed framework of rituals, potions, Pathways, and personas that shape the fate of every character in the story.

It goes without saying but, consider this your [SPOILER WARNING] in case you aren’t caught up yet.

What is a Beyonder?

A Beyonder is someone who has consumed a potion tied to a specific supernatural Pathway, which is kind of like a magical career path. Each Pathway offers a unique theme and a ladder of powers called Sequences.

Each Pathway in Lord of Mysteries is loosely inspired by a Major Arcanacard from the Tarot deck — much like in JoJo’s Bizarre Adventure: Stardust Crusaders — with each title reflecting archetypal roles that shape a Beyonder’s abilities, identity, and fate. Once you pick a Pathway, switching to another is extremely risky unless it’s an adjacent one. Most people stick to one Pathway for their entire journey.

The Fool card in a still from ‘Lord of Mysteries’

The Fool card in a still from ‘Lord of Mysteries’
| Photo Credit:
Crunchyroll

Our main charcter Klein Moretti, for instance, begins on the Seer Pathway, where the focus is on intuition, foresight, and rituals. Leonard and Dunn Smith, two members of the Nighthawks, belong to the Sleepless Pathway, which centres around mental resilience and dream manipulation. Audrey is a Spectator, trained in observing and influencing human behaviour. Alger, a sailor-turned-occultist, is following the Sailor Pathway, which leans toward elemental and storm-based powers. Other characters like Daly Simone and Old Neil follow Pathways tied to death, spirits, and forbidden knowledge.

There are 22 Pathways in total, and each one grants a different set of abilities as a person progresses through it.

What are Sequences?

Each Pathway is structured like a ladder of Sequences, counting down from Sequence 9 (the weakest) to Sequence 1 (on the edge of godhood). Klein starts at Sequence 9: Seer. His next step would be Sequence 8: Clown, which grants new powers but also greater risks.

Here’s how the power tiers generally break down:

Lower Sequences (9–8): Beginner-level powers. Beyonders can perform basic supernatural feats but remain mostly human.

Mid Sequences (7–5): Powers grow stronger and more dangerous. Mental strain increases. Klein’s allies like Dunn (Sequence 7: Nightmare) and Daly (Sequence 7: Spirit Medium) operate at this level.

High Sequences (4–1): Demigod-level abilities. Beyonders at this stage can manipulate reality on a large scale, but are constantly at risk of madness or losing control.

To advance to the next Sequence, a Beyonder must consume the next potion in their Pathway. But it’s not as simple as drinking and leveling up.

How do you level up?

The key to safely progressing through Sequences is called the Acting Method. This is a core part of the Lord of Mysteries power system and one of the reasons it feels so grounded and original.

Here’s how it works: Each Sequence is tied to a title — Seer, Clown, Spirit Medium, Nightmare, etc. — and that title isn’t merely symbolic. A Beyonder must act like the title to digest the potion properly. In Klein’s case, as a Seer, he needs to perform divination and engage in prophetic rituals. That’s why he joins the local Divination Club.

The mysterious clown from ‘Lord of Mysteries’

The mysterious clown from ‘Lord of Mysteries’
| Photo Credit:
Crunchyroll

By acting in line with the nature of their Sequence, Beyonders gradually stabilise the chaotic elements within the potion. This process is called digestion. Only after fully digesting a potion can they safely move to the next one.

Most Beyonders don’t know about the Acting Method. When Klein shares it with other members of his Tarot Club — like Alger (Sequence 8: Folk of Rage) and Audrey (Sequence 9: Spectator) — they’re stunned. Alger, a veteran sailor with his own secrets, immediately understands how valuable this information is.

What happens if you fail?

If a Beyonder fails to digest a potion or advances too quickly, they risk losing their sanity. This loss of control can turn them into violent, deformed monsters or inhuman beings consumed by the very power they tried to harness. Failed Beyonders are often dangerous and unstable, which is why official organisations like the Nighthawks try to regulate potion use and monitor their activity.

Who regulates all this?

The supernatural is largely hidden from the public. Instead, it’s managed by major religious and military institutions. Each church holds dominion over a few Pathways. For instance, the Church of the Evernight Goddess oversees the Darkness and Death Pathways and runs the Nighthawks.

Other official factions and rogue organizations compete over magical knowledge, potion ingredients, and ancient texts that help decode the rules of being a Beyonder.

Leonard Mitchell and Klein Moretti in a still from ‘Lord of Mysteries’

Leonard Mitchell and Klein Moretti in a still from ‘Lord of Mysteries’
| Photo Credit:
Crunchyroll

The Antigonus Family Notebook

The Antigonus Family were once powerful nobles deeply entrenched in occult research. But like many who rose too quickly through the Beyonder ranks, they were destroyed by the very powers they sought to master. One of their surviving relics is a notebook containing handwritten records of their studies, rituals, and most dangerously, Beyonder potion formulas.

This notebook plays a crucial role early in Klein’s journey. It provides rare and secret knowledge — most notably about the Acting Method — and introduces Klein to the idea that climbing the Sequence ladder is possible without succumbing to madness, if one is disciplined and careful. It’s also a cursed object, capable of triggering hallucinations and mental collapse if handled incorrectly.

What are Sealed Artifacts?

Beyonders often use powerful magical items called Sealed Artifacts. These are rare, dangerous, and unique. Think of them like cursed tools that can give you incredible power, but they come with side effects that vary from inconvenient to life-threatening. Artifacts are ranked from Grade 3 (least dangerous) to Grade 0 (most dangerous). Because of their power, Sealed Artifacts are heavily guarded and usually only handled by high-ranking Beyonders.

Sealed Artifact 2-049 in a still from ‘Lord of Mysteries’

Sealed Artifact 2-049 in a still from ‘Lord of Mysteries’
| Photo Credit:
Crunchyroll

A perfect example of a Sealed Artifact in the Lord of Mysteries anime is 2-049 (or the Antigonus Family Puppet), which is a Grade 2 Sealed Artifact. The creepy, jointed doll dressed in oil-stained brown cloth with a painted clown face and a wide grin is sent to Tingen City from the Backlund diocese to track Ray Bieber, a suspected descendant of the Antigonus Family.

The puppet passively slows nearby individuals, both mentally and physically. Once caught in its influence, you’ll need external help — usually a physical tap — to break free. If not rescued in time, you become paralysed and fall completely under its control.

What’s the Gray Fog?

Klein gains access to a mysterious space above the spirit world, known as the Gray Fog. From here, he can communicate with others, conduct rituals, and even protect himself from divine interference. It also becomes the base of operations for the Tarot Club.

What makes this Power System so unique?

The power system in Lord of Mysteries is both strict and flexible. It runs on clear rules but allows for mystery, improvisation, and growth. The Acting Method turns every new power into a test of identity. Advancing through the Sequences can’t be achieved by brute force, but requires self-understanding, discipline, and learning how to wear a mask without becoming it.

It’s not a system you can cheat. You have to earn every step, and if you’re careless, you might not survive the climb. This creates a world that feels both magical and believable, with no shortcut to becoming powerful. You have to study, adapt, and survive. That’s what keeps the world grounded, even as it grows more bizarre.

If you’re just starting the anime or the novel, take your time. The story doesn’t rush its explanations, but once you start to see how the pieces fit, the world opens up in clever, satisfying ways.

Lord of Mysteries is currently streaming on Crunchyroll



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‘Junior’ movie review: Genelia, Kireeti-starrer is a partly-entertaining, albeit dated drama


Genelia, Kireeti and Sreeleela

Genelia, Kireeti and Sreeleela
| Photo Credit: Special Arrangement

A protagonist who is almost always cheerful reiterates his desire to make memories — stories he can one day narrate to his children, and look back on fondly when he is 60. But what if this idea of memory, initially lighthearted, later becomes a haunting echo? What if a memory is so deeply hurtful that it renders another character emotionally withdrawn?

Director Radhakrishna Reddy’s Telugu-Kannada bilingual film Junior explores these possibilities through a drama that nods to the mainstream Telugu cinema of a decade or two ago. Some plot points evoke the emotional world and writing style of Trivikram Srinivas, the veteran of family dramas. While several scenes entertain and build intrigue, the film’s contrived moments might also leave seasoned viewers with a nagging sense of déjà vu.

Junior (Telugu)

Director: Radhakrishna Reddy

Cast: Kireeti Reddy, Sreeleela, Genelia Deshmukh, V Ravichandran

Run time: 154 minutes

Story: A son struggles to deal with the possessiveness of his father, and he has to heal a few emotional scars.

Junior ambitiously attempts to tackle ageism, complex family dynamics, girl child empowerment, digital literacy in rural India, and corporate social responsibility, all while doubling as a launchpad for Kireeti Reddy, son of politician Gali Janardhana Reddy.

The opening campus scenes are loud and glossy, with composer Devi Sri Prasad setting a high-energy tone. Abhi (Kireeti) quite literally leaps into the frame, sprinting through college corridors in what feels like an action hero entry, minus the actual conflict. He is portrayed as the all-rounder who can ace academics, sports, and even parkour stunts, all while his perfectly gelled hair does not move an inch.

A prologue introduces parents who embrace late parenthood and face ageist remarks, setting the stage for a father-son dynamic between Abhi and his doting father (V Ravichandran). Their relationship — marked by the father’s overbearing affection and Abhi’s growing claustrophobia — is played out with humour and warmth.

The light-hearted tone continues into Abhi’s courtship of Spoorthi (Sreeleela), which unfolds in formulaic fashion. The comic relief is largely powered by Abhi’s gang of friends, especially Harsha, who steals the show in a moment that even sparks Spoorthi’s envy.

The plot shifts gears with the arrival of Vijaya (Genelia Deshmukh), making a return to Telugu cinema after 13 years. Her character initially teeters on cliché — the stern, unapproachable boss — until her backstory adds emotional depth. These segments echo the tone of a Trivikram Srinivas family drama, and while the writing attempts nuance, the narrative feels too contrived to truly land.

Kireeti’s breezy presence contrasts sharply with the emotional heft Genelia is tasked with. Known for her bubbly roles in films like Bommarillu, she brings maturity and restraint here. It is a pleasure to watch her on screen, once again. Some of her scenes with Kireeti are thoughtfully written, but both actors are constrained by a plot that becomes increasingly predictable.

There are glimmers of smart storytelling, like a moment involving a photograph, but overall, the film misses the opportunity to explore relationships with a fresher lens.

Cinematographer KK Senthil Kumar and Devi Sri Prasad deliver within the constraints of the material. Meanwhile, Sreeleela’s character vanishes after the early portions, only to resurface for the ‘Viral Vayyari’ dance number, featuring a blink-and-miss cameo by Brahmanandam.

In the end, Junior plays out like an extended showreel for Kireeti Reddy, highlighting his screen presence, dancing chops, aptitude for action, and ability to well up on cue. All while that gelled hair never falters.



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