Entertainment

Veteran actor Achyut Potdar, well-known for his role in ‘3 Idiots’, passes away


Achyut Potdar in ‘3 Idiots’.

Achyut Potdar in ‘3 Idiots’.
| Photo Credit: CinemaRareIN/X

Actor Achyut Potdar, best known for his roles in TV shows and films like Bharat Ki Khoj, Pradhan Mantri, 3 Idiots, has died at a hospital in Mumbai. He was in his 90s.

Potdar was admitted to Jupiter Hospital around 4 pm. He was declared dead on Monday (August 19, 2025) a source said.

Potdar played supporting roles in many iconic films and TV shows Aandolan, Wagle Ki Duniya, Dabangg 2, and Ferrari Ki Sawaari.

His brief appearance of a professor in Rajkumar Hirani’s 3 Idiots (2009), and his dialogue ‘Kehna Kya Chahte Ho’ became one of the fan favourite moments from the Aamir Khan-starrer and has been recreated in pop culture time and again through memes.

Details regarding the cause behind his demise and last rites are yet to be known.



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Interview | Rachita Ram on Lokesh Kanagaraj’s ‘Coolie’: Always wanted to play a Neelambari-like character in Rajini sir’s movie


Rachita Ram is a huge fan of Rajinikanth’s 1999 blockbuster Padayappa. The film instilled in her the dream of working with the superstar and sparked her love for complex characters, such as Neelambari, essayed with aplomb by Ramya Krishnan.

For the past decade, Rachita has reigned as one of Kannada cinema’s leading ladies, featuring alongside stars such as Darshan in Bulbul (2013), Sudeep in Ranna(2015),Puneeth Rajkumar in Chakravyuha (2016), Upendra in I Love You (2019), and Shivarajkumar in Rustum (2019). Yet, even before her film debut, she hinted at her flair for cunning roles with her television breakthrough in Arasi.

After years of being a second fiddle to the hero with glamour and charm, Rachita’s desire to explore a character with grey shades became reality when filmmaker Lokesh Kanagaraj approached her for Coolie, his maiden project with Rajinikanth. “When Lokesh asked me what kind of a role I fancied, I told him I want to play someone like Neelambari,” she tells The Hindu in an exclusive chat.

“Lokesh was a bit surprised with my choice, considering I am known for my female lead characters in Kannada. Being an antagonist gives you a lot of room to perform. It’s the kind of challenge I would love to take up more often,” she adds.

Rachita is one of the biggest surprise factors in Coolie, which hit the screens on August 14, 2025. In a star-studded cast involving Nagarjuna, Sathyaraj, Upendra, Shruti Haasan, Shoubin Shahir, and Aamir Khan, not many expected Rachita to shine, more so because she had a blink-and-you-miss appearance in the movie’s trailer. The makers also stayed away from introducing her character during the promotional phase.

“Lokesh was particular that my character wasn’t discussed anywhere pre-release, because he was sure my role would make a huge impact after the release,” reveals Rachita.

Lokesh’s instinct was proven right when Rachita’s performance won praise. She admits to being overwhelmed by the response from people who weren’t familiar with her work. Her biggest compliment came from the superstar himself, something she had to remain tight-lipped about until the film was out.

“It’s been a year since I got that phone call from Rajini sir. I had returned from a shooting schedule in Bangkok when he called to say I had done an excellent job. He said it was great to see a Kannadada hudgi (Kannada girl)perform so well. I told him his words were bigger than Oscars for me. For one year, it was so tough not to tell the world about this.”

Rachita loved how she was made to feel at ease by Rajinikanth and Lokesh from the first day of her shoot. “I had a small chat with Rajini sir after the shoot. He was curious about the developments in the Kannada film industry. He recollected some of his works in Kannada cinema. He assured me that my character in Coolie would have a huge impact on the audience.”

Rachita Ram has starred opposite A-listers such as Darshan, Sudeep, Puneeth Rajkumar and Shivarajkumar in Kannada.

Rachita Ram has starred opposite A-listers such as Darshan, Sudeep, Puneeth Rajkumar and Shivarajkumar in Kannada.
| Photo Credit:
@rachita_instaofficial/Instagram

As an actor, Rachita believes in spontaneity on sets. “I didn’t prepare much before my scenes in Coolie. Lokesh wasn’t particular about rehearsals either. He was very specific about the all-important transformation of my character. To ace that switch in personality, he told me to keep in mind that I am a trained police officer. I had to ensure I exhibit the character trait of a trained officer, especially in the action sequence,” she explains.

The first approval of her efforts came from the cast and crew on sets, recalls Rachita. “Anbariv masters were happy with how I pulled off the action scene. This was my first-ever action sequence. I used to get petrified when actors performed stunts in my movies. Also, when I revealed the big surprise in the tense scene, people on the set applauded. I got the same kind of applause in a crucial scene with Nagarjuna sir,” she says.

Rachita’s performance in Coolie could open the door for more non-Kannada opportunities for the actor. This dream Tamil debut wouldn’t have happened if not for her chance meeting with Lokesh at an awards ceremony. “I told him to give me a script with a strong female protagonist. After seeing his Agent Tina character in Vikram (2022), I wanted to get a Kannada film made on a script by Lokesh.

ALSO READ: ‘Coolie’: Does Upendra make an impact in Rajinikanth-Lokesh Kanagaraj film?

“He loved my confidence. I was desperate to do a role with villainous shades. In Kannada, filmmakers were hesitant to think beyond the traditional heroine role. They would always tell me, ‘How can a girl with a cute and chubby face petrify people?’ Thankfully, Lokesh believed in seeing me differently on screen.

With Coolie, Rachita feels she has answered her detractors. “In recent times, I saw several comments on social media that they were tired of seeing me. They felt it was time for me to get married and retire from acting. I am glad to have answered them through my work,” she says.

Published – August 19, 2025 02:08 pm IST



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Inside new age baithaks: Enjoy soulful music with home-cooked meals


Small intimate music soirees or baithaks are once again becoming the go-to space for lovers of classical music, particularly in the national capital, which has had a long tradition of patronising the arts. These were held in drawing rooms, or private gardens, followed by a leisurely meal and interaction with the performer. The audience was an elite gathering of friends of the patron. Author and connoisseur Shiela Dhar in her anecdotal books on music has written about these gatherings.

Families such as Shrirams, Mathurs and Bahadurs used to regularly hold baithaks in their homes. In the 1960s, thumri exponent Naina Devi’s baithaks were attended by the cognoscenti. In recent times, it’s been Vinod Kapur and Anita Singh amongst others. The evenings were elite and exclusive.

Popularly known as VSK Baithaks, over the years, host Vinod Kapur has featured many renowned artistes at his well-attended baithaks. In the last one year, young music lovers-turned-curators have joined the baithak bandwagon, shattering all norms of a traditional baithak. Ticketed baithaks, open to all, targeted specifically to a young generation, who may not have had any exposure to classical music at all, are rapidly gaining popularity. The tickets priced Rs 1,500 and above don’t seem to deter young listeners curious to experience this intimate and informal concert setting. No longer called just baithaks, they go by trendy names in English.

VSK Baithaks in Delhi, which began in 1998 by Vinod Kapur.

VSK Baithaks in Delhi, which began in 1998 by Vinod Kapur.
| Photo Credit:
Special Arrangement

Artistes too view this as a welcome space and are even willing to charge less to encourage such ventures. But the new-age baithaks pose a different kind of a challenge to them. These sessions now attract a mixed audience, including first-time listeners. So performers have to tailor their concerts to appeal to a diverse group.

‘Upstairswithus’ in Vasant Kunj has organised more than nine concerts in a span of six-months. Though the space is small and located on the top-floor of an apartment without a lift, the warmth of the hosts — Sukanya and Tejas — draws in the audience.

“Combining a home-cooked meal with the ticket is a must,” says Sukanya, who explains that for young listeners, “going back home to order a meal could be tedious”. This also gives listeners an opportunity to meet, eat together and discuss music. Upstairswithus also allow their dogs into the concert space, somewhat controversially marketing this as an additional treat. The U.K.-based sarodist-composer Soumik Datta, who performed here recently, bravely managed with the basic home amplification sound system available here. 

The success of their venture has encouraged Sukanya to hold training sessions on how to conduct a baithak and also weekend vocal training workshops. Going forward, the couple plans to introduce Upstairswithus merchandise.  The aim seems to be to keep adding new listeners.

Soumik Datta and Zuheb Ahmed at Upstarswithus in Delhi

Soumik Datta and Zuheb Ahmed at Upstarswithus in Delhi
| Photo Credit:
Special Arrangement

Operating out of Dwarka, a suburb in Delhi, Evenings Unplugged, is another venture by music lovers Varun and Soumya. As a child, Soumya was introduced to baithaks in Bhilai (Madhya Pradesh) as would regularly attend such gatherings at Acharya Bimalendu Mukherji’s house. Since she wanted her two-year-old son also to have the same exposure to classical music, Soumya decided to hold baithaks.

Evenings Unplugged also caters to listeners not much familiar with the art form. Recently, sitarist Soumitra Thakur played some excellent music along with explaining the nuances to the audience. The professional sound system enhanced the concert experience. Here too, the evening included a simple home-cooked meal and an interactive session between the performer and the listeners.

In the 1960s, thumri exponent hosted popular baithaks at her residence

In the 1960s, thumri exponent hosted popular baithaks at her residence
| Photo Credit:
Photo courtesy: Naina Devi Foundation

According to Varun, since there are hardly any classical music concerts happening in Dwarka, “we thought of baithaks to reach out to music lovers in the locality.”

Speaking after the performance, Soumitra said, “Young artistes like me have to create opportunities for themselves. They have to devise ways to bring new listeners into the fold. Soumitra, who has founded ‘Siddhirasa’, hosts baithaks in Greater Kailash colony. “This tradition will help preserve the soul of classical music. I feel music finds its truest expression in such an ambience,” he added.

Other baithaks that have sprung up in Delhi include Naadyatra in Gurgaon; and the common thread amongst these appears to be the emphasis on ticketing the concerts. It also seems like the music lovers are growing weary of listening to the same set of artistes, in an impersonal auditorium space. They feel baithaks’ simpler set ups offer a more meaningful concert experience.

Published – August 19, 2025 02:08 pm IST



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‘Balan’: ‘Manjummel Boys’ director Chidambaram’s next film announced


Poster of the upcoming Malayalam film ‘Balan’.

Poster of the upcoming Malayalam film ‘Balan’.
| Photo Credit: @KvnProductions/X

The upcoming Malayalam film from KVN Productions and Thespian Films, helmed by Manjummel Boys director Chidambaram, has been titled Balan.

Written by Jithu Madhavan, the writer of Aavesham, the film’s production commenced on Sunday (August 17, 2025)

Manjummel Boys and Aavesham, which was written and directed by Madhavan, were two of the most successful titles of the year 2024. The production banner shared the news on its official X handle.

The poster featured a picture of a boy, clicked from behind, walking with a stick in his hand. The background was decorated with the flowers. The details of the project, including its genre, have been kept under wraps.

The upcoming film will have music composed by Sushin Shyam, with Vivek Harshan taking over as editor and Shyju Khaled as director of photography.

ALSO READ: ‘Manjummel Boys’ director Chidambaram forays into Hindi cinema

Besides, Balan, KVN Productions upcoming titles include Geetu Mohandas’ Toxic, starring Yash and Jana Nayagan, the final feature film Tamil superstar Vijay before his full-time shift to politics.



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‘Thama’: Makers unveil first glimpse of Rashmika Mandanna, Ayushmann Khurrana and Nawazuddin Siddiqui starrer


Paresh Rawal, Rashmika Mandanna and Nawazuddin Siddiqui from ‘Thama’.

Paresh Rawal, Rashmika Mandanna and Nawazuddin Siddiqui from ‘Thama’.

Maddock Films, the banner behind Bollywood’s popular horror-comedy franchise, has unveiled the first glimpse of its upcoming movie Thama. “Brace yourself this Diwali to witness the first love story in Maddock Horror-Comedy Universe,” wrote the makers on social media with the teaser.

The video comes a day after the first looks from Thama were released. The teaser and posters of the movie hint at a “bloody love story.” On Monday, the makers dropped a string of posters of the lead actors, including Ayushmann Khurrana, Nawazuddin Siddiqui and Rashmika Mandanna.

They wrote, “Presenting Ayushmann Khurrana as Alok – Insaaniyat ki aakhri umeed“, revealing an intense look. It was followed by another mysterious poster of Rashmika Mandanna’s “Tadaka – Roshni ki ek hi paheli kiran.” The Animal star is seen dressed in a dramatic gown, putting forward a powerful expression on her face.

Nawazuddin Siddiqui, who is set to play a negative character, will portray the character of “Yakshasan – Andhere ka badshah.” In the poster, the actor is seen sporting long hair as he exudes a devilish aura.

The makers have also unveiled the first look of Paresh Rawal as Mr. Ram Bajaj Goyal – “someone who always tries to find tragedy in comedy.” This Diwali, the universe gives us a bloody love story in cinemas worldwide,” they said.

ALSO READ: ‘Thama’: Ayushmann Khurrana, Rashmika Mandanna to headline Maddock Films’ new horror-comedy

Directed by Munjya fame Aditya Sarpotdar, Thama is produced by Dinesh Vijan and Amar Kaushik under the banner of Maddock Films. It has been written by Niren Bhatt, Suresh Mathew, and Arun Fulara. Thama will be released on Diwali 2025.





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Madras High Court judge to watch Vetri Maaran’s movie ‘Manushi’ to decide on CBFC’s suggestion for 37 cuts


A poster of the Tamil film Manushi

A poster of the Tamil film Manushi
| Photo Credit: X / @GopiNainar

Justice N. Anand Venkatesh of the Madras High Court, on Tuesday (August 19, 2025), decided to watch the Andrea Jeremiah-starrer Tamil movie ‘Manushi’ during a private screening in Chennai on Sunday (August 24) to ascertain if the Central Board of Film Certification (CBFC) is justified in suggesting as many as 37 cuts.

The judge took the decision pursuant to a writ petition filed by the film’s producer C. Vetri Maaran, also an acclaimed director, questioning the 37 cuts made mandatory before the CBFC could certify the movie to be fit enough for public screening in cinema theatres.

The film had been produced under the writ petitioner’s production banner Grassroot Film Company and directed by Tamil movie ‘Aramm’ fame Gopi Nainar. The movie’s trailer, released by actor Vijay Sethupathi in April 2024, showed it to be a story revolving around custodial torture of a woman suspected to be a terrorist.

In September 2024, the CBFC’s examining committee as well as screening committee watched the full length movie and refused to issue a censor certificate for the movie on the ground that it had portrayed the State in bad light and it had confused “leftist communism” with “mainstream communism”.

Earlier petition

Mr. Maaran approached the High Court with his first writ petition in June 2025 challenging the blanket rejection of censor certificate. He said he was neither given an opportunity to be heard before the denial of the censor certificate nor informed of the individual views of the censor committee members.

The producer stated he had submitted a representation to the CBFC on March 29, 2025 requesting the constitution of an expert committee comprising of human rights activists to re-examine the movie and sought a direction to the CBFC to consider his representation and issue a speaking order after re-examination.

Then, Justice Venkatesh wondered how could there be a blanket rejection of censor certificate for the entire movie without listing out the objectionable scenes, sequences, visuals, dialogues, audio clips and other aspects which required to be edited out before issuance of the certificate.

On June 17, the judge disposed of the first writ petition after recording the submission of CBFC that it had reviewed the movie as directed by the court and listed out the objectionable portions that required editing. Then, the judge also permitted the petitioner to proceed in accordance with law.

Second petition

Mr. Maaran had come to the High Court with the present writ petition claiming the CBFC had failed to consider the movie in the light of well established guidelines and that it had insisted on editing out even simple dialogues such as ‘saniyan’ (a Tamil term used to scold people).

When the second writ petition was listed before Justice Venkatesh on Tuesday, he said, now, he would have no choice but to watch the movie himself, along with the committee members, to ascertain whether they were justified in suggesting the 37 cuts.

He directed the parties before him to make arrangements for playing the movie in a private theatre at Dr. D.G.S. Dhinakaran Salai (previously known as Greenways Road) in Chennai on Sunday afternoon and asked central government senior panel counsel A. Kumaraguru to ensure the presence of CBFC committee members.



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Madras Day 2025: AVM studios in Chennai, the muse for South Indian film industry


AVM Studios at Vadapalani in Chennai.

AVM Studios at Vadapalani in Chennai.
| Photo Credit: File photo

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Below the arc lights and behind the camera’s gaze, AVM Studios has been the eternal muse of Tamil cinema.

Long before CGI (Computer Generated Imagery) and green screens entered the scene, AVM Studios was the ultimate fantasy factory that has churned out vintage classics like Vedhala Ulagam to newer, high-octane hits like Sivaji: The Boss. In its heyday, the studio provided everything a filmmaker wanted — from bus stands, and houses to temple sets — all within its premises.

“Till the 1990s, the studio floors were always full. We had nine floors, with shooting taking place on all of them, as well as outdoors.” M.S. Guhan, Managing Partner of AVM Productions, said“We are the oldest surviving film studio in the country today, and also the oldest production house that is still active,” he said.

Vedhala Ulagam (1948), produced under the AVM banner, was the first movie to be filmed at AVM Studios. 

Vedhala Ulagam (1948), produced under the AVM banner, was the first movie to be filmed at AVM Studios. 

Recalling some of the memorable shooting moments at the studio, Mr. Guhan said that for the film Samsaram Adhu Minsaram (1986), AVM decided to build a real house rather than use a temporary set. The house was constructed on the site where Kauvery Hospital stands today. “The house you see in the film was built in three months. Many other films were also shot there. It was pulled down when the property was sold,” he said.

Vedhala Ulagam (1948), produced under the AVM banner, was the first movie to be filmed at AVM Studios. For the film Manithan (1987), two streets were specially created on the studio premises. The climax fight sequence in Sakalakala Vallavan (1982) featuring a dramatic building-on-fire scene, a few scenes from Bharathiraja’s Pudhumai Penn, and portions of the fight sequences in Sivaji: The Boss were also shot here. “A set was created for the music shop scene in the film [Sivaji: The Boss],” said Mr. Guhan, to whom belonged all the cars and bikes featured in the song Athiradee.

Songs from the film Minsara Kanavu, starring Arvind Swamy, Prabhu Deva, and Kajol, were filmed here. Several memorable sequences from the film came alive within the studio premises — from the romantic number Thanga Thamarai Magale, filmed against a specially-constructed artificial waterfall, to the lilting Vennilave Vennilave and the vibrant Mana Madurai, which was shot in the studio’s outdoor spaces.

Reduced activity

At present, activity at the studio has declined, and much of the space has been converted for real estate development. “Once or twice a month, we host ad film shoots, and occasionally, a film promo shoot. For example, the Thug Life (2025) team filmed a promo featuring Kamal Haasan and Silambarasan here,” Mr. Guhan said. The space also continues to attract ad productions, though not always on a large scale. Celebrities such as M.S. Dhoni, who endorse multiple brands, shoot here.

If the walls at AVM Studios could talk, they’d whisper stories of Sivaji Ganesan’s gravitas, Rajinikanth’s swagger, and Kamal Haasan’s brilliance. And let’s not forget that iconic spinning globe, the unofficial co-star of Tamil cinema, that we saw in the opening credits of every film like an auspicious “Suprabhatam” to a typical South Indian morning.



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Stella Maris Fine Arts graduates of 1987 come together for reunion art show in Chennai


In a quiet corner of VA Gallery on Chamiers Road, a group of women lean over a desk, admiring paintings. The artist, Kannur-based Vidhya Chandran, appears a little overwhelmed by the attention. “My main medium is fabric… these are just practice sketches,” she says, signing her name with her brush. At once, her batchmates erupt in encouragement, insisting the works deserve to be framed and treasured.

It is this spirit of camaraderie and creative persistence that defines An Artful Reunion, a group show by the Fine Arts batch of 1987 from Stella Maris College. Nearly four decades after graduation, 18 of them have returned to the gallery space, not just with paintings, but with crochet, origami, photography, ceramics, and fabric art, showcasing how their practice has evolved with time. 

Curators Mala Chinnappa, Varuna Arvind, and Rangashree Srinivas

Curators Mala Chinnappa, Varuna Arvind, and Rangashree Srinivas
| Photo Credit:
Special Arrangement

“We have always kept in touch, thanks to WhatsApp. This show came together very organically. All of us are still doing some form of art even after all these years, and bringing it all together for a show was an obvious choice,” says Rangashree Srinivas, who curated the show with her two friends Mala Chinnappa, director of an advertising agency, and Varuna Arvind, founder of VA Gallery. 

The result is a showcase that feels less like a formal exhibition and more like a reunion in paint, fabric, and form. “There is no overarching theme to the exhibition, because each of us have different strengths, and we wanted everyone to showcase what they do best,” adds Rangashree. 

On display are delicate origami sculptures, textured crochet pieces, collages, watercolours, ceramics, photographs, and paintings in a variety of styles. Some artists have stayed true to their chosen medium for decades, like award-winning origamist Kalyani Voleti and Philadelphia-based watercolourist Radhika Srinivas, while others continue to experiment across forms. 

Paintings on display at An Artful Reunion

Paintings on display at An Artful Reunion
| Photo Credit:
Special Arrangement

The mix makes for a viewing experience that is eclectic yet deeply personal, with each work carrying the stamp of a life lived outside and alongside art. Margaret Thomas, the current Vice Principal of Stella Maris College, who works with pen on canvas, says, “when we joined the course, it was because we were all interested in the arts. This has kept us together over the years.” Mala mirrors the sentiment, adding, “we were all in this because we appreciated the arts. This wasn’t just a degree we picked to keep us busy until something better came along.” 

Over the years, the group has not only kept in touch and encouraged each other, but also travelled together for art — visiting the Kochi-Muziris Biennale, holding retreats in Kodai and Coonoor, and showing up unfailingly for each other’s showcases.

Artist Thota Tharani at the showcase

Artist Thota Tharani at the showcase
| Photo Credit:
Special Arrangement

When their former professor, art historian and curator Ashrafi Bhagat, dropped by the gallery, she was quick to encourage the initiative. For the Batch of ’87, her presence was a reminder of where it all began, making this return to the gallery not just a reunion of friends, but a reaffirmation of the role art has continued to play in their lives.

An Artful Reunion will be on view at VA Gallery, Chamiers Road, from August 16 to 23, 11am to 7pm.

Published – August 18, 2025 04:53 pm IST



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‘Avihitham’: Filmmaker Senna Hegde announces his next


Filmmaker Senna Hegde.

Filmmaker Senna Hegde.
| Photo Credit: Special Arrangement

Filmmaker Senna Hegde, known for setting most of his films in Kanhangad in Kasaragod district, is ready with another ‘Made in Kanhangad’ venture – Avihitham. Unni Raja and Ranji Kankol, both seen in supporting roles in Malayalam cinema, mostly in light-hearted roles, are said to play important characters in the movie.

Screenplay is by Senna and Ambareesh Kalathera and the story is by the latter. Cinematographer Sreeraj Raveendran, a regular in Senna’s movies, is the creative director, and has handled camera with Ramesh Mathews. Music is by Sreerag Saji.

Title poster of Senna Hegde’s new movie Avihitham

Title poster of Senna Hegde’s new movie Avihitham
| Photo Credit:
SPECIAL ARRANGEMENT

Senna, who made his debut with the docu-drama 0-41 and later directed the Kannada movie Katheyondu Shuruvagide, rose to fame with the breezy Malayalam entertainer Thinkalazhcha Nishchayam, which won the National Award for Best Malayalam Film in 2020. His other films are 1744 White Alto (2022) and Padmini (2023). He made his acting debut in Aashiq Abu’s Rifle Club(2024).

Avihitham is produced by E4 Experiments, Imagin Cinemas and Marley State of Mind.



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How Dinshah Sanjana’s band Divya lent sparkle to Indo-jazz fusion


India’s jazz community will know composer and keyboardist Dinshah Sanjana as the man behind the fusion group Divya, which hit the headlines in 1987 with the album Madras Café, and gained acclaim for the follow-up Kumbhamela a decade later. Having moved from Mumbai to Los Angeles in 1999, he continued with music production and instrument retail, but his dream was to create tunes close to his heart.

Dinshah has thus tied up with drummer Matthew Baker to release the jazz-fusion album 369 Hertz, under the name Freakquency. Containing 12 tracks, it has been put out by Moment Music, which he and Baker launched 12 years ago. The line-up is a mix of musician-friends he made during his stay in the U.S. and artistes he met online. The Indian musicians include sarod player Praashekh Borkar and Roshan Mandayam, who appear on the tune ‘Nayan’, and Hari Kumar Sivan, who plays on the title track.

“These two pieces are a nod to my past, but on the others, I have used music from different parts of the world. I wanted to use my friend Shekhar Borkar on the sarod, but his son Praashekh, now based in Perth, Australia, is more used to the digital methodology,” says Dinshah. ‘Nayan’ has elements of raag Sindhu Bhairavi on the sarod and violin, it also features Afro-Cuban American harp player Radha Botofasina. The title track uses the Carnatic raga Vasanta Bhairavi. Explaining the album’s name, the composer says, “The numbers three, six and nine are considered sacred — they represent creation, growth and completion or enlightenment. Since we call ourselves Freakquency, the title 369 Hertz went perfectly with our sound.”

Dinshah had started writing the songs in 2019, but things got stalled because of the pandemic. He faced some health issues, and after recovering, got down to the album. He says, “I wrote all the compositions and Matthew, the rhythm arrangements. We have known each other for over 20 years. During lockdown, we interacted virtually with many musicians. There was this fantastic Russian bassist Anton Davidyants, who readily agreed to play on a few tracks. Some musicians were from Los Angeles, whereas others from Munich or Paris.”

First virtual collaboration

It was the first time Dinshah worked virtually. He explains, “I am used to musicians sitting with me in the studio, discussing and improvising, rather than going back and forth through files. But one has to change with the times.”

Dinshah has been involved with music since the early 1980s. Besides Divya, he was associated with bands Ji Whiz, Holy Smoke and Ultimatum. His preference was always jazz and fusion. Divya was formed by Dinshah and Sandhya Sanjana with a view to fuse jazz with Indian elements. They recorded their first album Madras Café in 1986 and released it the following year. It was recognised for its balance of sounds and technical wizardry. Besides Dinshah, it featured Roy Venkatraman on the guitar, C.P. Sriram on the violin, Shernol Mathias on the bass, Fazal Qureshi on the tabla, Bondo Fernandes on the percussion and Sridhar Parthasarathy on the mridangam, with vocal inputs by Sandhya Sanjana and Shankar Mahadevan. The album is now available on the streaming platforms through Sony Music.

Dinshah will soon release the jazz-fusion album 369 Hertz, under the name Freakquency.

Dinshah will soon release the jazz-fusion album 369 Hertz, under the name Freakquency.
| Photo Credit:
Malik Daniels

With the organisation Jazz India promoting local artistes, Divya got a chance to perform at the John Coltrane Jazz Festival in Los Angeles, after the great saxophonist’s wife Alice Coltrane saw them play in Poland. Besides the US and Europe, they toured Japan, Malaysia, Thailand and the erstwhile Soviet Union. “Jazz India’s Niranjan Jhaveri helped us get a lot of shows abroad. The late 1980s and early 1990s were good for the kind of music we made, but by the end of the decade, Bollywood and some Indipop were the only things that were being pushed,” he points out.

Divya’s line-up kept varying, and newer entrants included mridangam player Viveick Rajagopalan and drummer Sanjay Maroo. In 1998, the line-up had Dinshah, Sandhya Sanjana, guitarist Paresh Kamath, bassist Naresh Kamath, American saxophonist Carl Clements, kanjira player Selva Ganesh and drummer Kurt Peters. Dinshah and Sandhya also recorded a soundtrack album for the UK’s Channel 4 series Ramayana: A Journey.

Dinshah’s latest project Freakquency has obviously given him a new high. He’s also happy with the quality of independent music that’s coming out in India these days. He says, “It may be a good time to collaborate with some younger musicians here. I’m also thinking of releasing Kumbhamela digitally.”

Dinshah started the band, Divya, with a view to fuse jazz with Indian elements 

Dinshah started the band, Divya, with a view to fuse jazz with Indian elements 
| Photo Credit:
Special Arrangement

Published – August 18, 2025 03:49 pm IST



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