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‘Murderbot’ series review: Alexander Skarsgård shines in science fiction comedy


Science fiction can be action-filled, thought provoking and fun as Murderbot proves conclusively. Alexander Skarsgård is hilarious as the titular character, whether he is watching endless reruns of his favourite space opera, The Rise and Fall of Sanctuary Moon, trying to avoid eye contact with his human clients or ruefully admitting to having been “infected by an empathy virus by my clients.”

Based on Martha Wells’ award-winning science fiction series, The Murderbot Diaries, tell of a cyborg, a “SecUnit” who disables its governor module but hides among human clients so as not to be found out and terminated.

Muderbot (English)

Creator: Paul Weitz and Chris Weitz

Cast: Alexander Skarsgård, Noma Dumezweni, David Dastmalchian, Sabrina Wu, Akshay Khanna

Episodes: 10

Runtime: 22-34 minutes

Storyline: In a high-tech future, a rogue security robot secretly gains free will. To stay hidden, it reluctantly joins a new mission protecting scientists on a dangerous planet, even though it just wants to binge soap operas

Murderbot follows the events of 2017’s All Systems Red, the first instalment of the series. In the far future where most people are indentured labour for corporate entities, a research team led by Ayda Mensah (Noma Dumezweni), reluctantly hire Murderbot, (it seems too much like slavery) as required by their insurance. Mensah is the President of Preservation Alliance, which is outside the blood-sucking influence of the hyper-capitalistic Corporation Rim.  

A still from ‘Murderbot’

A still from ‘Murderbot’
| Photo Credit:
Apple TV

Mensah and her team, which includes Gurathin (David Dastmalchian) an augmented human and tech expert, scientist and legal expert, Pin-Lee (Sabrina Wu), wormhole expert, Ratthi (Akshay Khanna), geochemist,  Bharadwaj, (Tamara Podemski) and biologist, Arada (Tattiawna Jones) wish to treat Murderbot as a member of their team and not as a piece of equipment.

Murderbot would much rather be left to consume media than sit around with the humans and make eye-contact. Each member of the team has a different reaction to Murderbot. Gurathin is suspicious right from the beginning and tries to engage Murderbot in conversation to get it to trip up.

When Gurathin asks Murderbot about its feelings, Murderbot honestly replies with “I don’t know what it is like to not be me.” Ratthi is a huge fan, while Mensah wants to be fair but she is also protective of Murderbot, whom she perceives as not having any rights or agency.

Murderbot has some corrupted memories of an earlier job gone wrong with many casualties. It does not know if it was responsible for the deaths or whether it was ordered to kill.

When Bharadwaj and Arada are attacked by massive centipede-like creatures, who seem distant cousins of Dune’s sandworms, on the expedition, they realise the maps given to them by the Corporation Rim is incomplete.

A still from ‘Murderbot’

A still from ‘Murderbot’
| Photo Credit:
Apple TV

The more Mensah and team uncover, the more complicated things become. There is another team exploring the other side of the planet Mensah and team are on, who come to a sticky end, except for Leebeebee (Anna Konkle), who asks rude questions about Murderbot’s genitalia (it has none as it is not a sex bot).

The shadowy corporate entity, GrayCris seems to have its fingers in many pies including the hunt for alien remnants which this particular planet seems to have a lot of.

The sets are well thought out — not grand so much as practical and lived in, just like the costumes. For epic, sci-fi scope, there is Sanctuary Moon with the doomed love story between John Cho’s Captain Hossein and the Nav Bot (DeWanda Wise).

Paul Weitz and Chris Weitz who have given us comic gems like American Pie and About a Boy, have delivered perfect, short (24 minutes!) bite-sized entertainment that makes us think. With Murderbot being renewed for another season, hopefully the all-knowing sarcastic ART will make an appearance.

Murderbot is currently streaming on Apple TV

Published – July 18, 2025 12:59 pm IST



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‘Assassin’s Creed’ live-action series greenlit by Netflix


A still from ‘Assassin’s Creed 2’

A still from ‘Assassin’s Creed 2’
| Photo Credit: Ubisoft

After years in development, Netflix’s long-awaited live-action adaptation of Assassin’s Creed is officially a go. The streaming platform confirmed that the series, based on Ubisoft’s blockbuster video game franchise, has received a formal series order.

Roberto Patino (Westworld, DMZ) and David Wiener (Halo, Brave New World) will serve as co-creators, showrunners, and executive producers on the series, which marks the first live-action entry under the ongoing partnership between Netflix and Ubisoft.

“Every day we work on this show, we come away excited and humbled by the possibilities that Assassin’s Creed opens to us,” the duo said in a joint statement, describing the series as one that explores “power, violence, faith, destiny — and above all, human connection.”

The official logline for the show describes it as centering on a hidden war between two factions — one seeking to control humanity’s future, and another determined to protect free will. The story will unfold across various historical eras, keeping with the game’s time-jumping legacy.

Assassin’s Creed made its gaming debut in 2007 and has since sold over 230 million copies worldwide, becoming one of Ubisoft’s most valuable franchises. The latest installment, Assassin’s Creed: Shadows, launched in 2025. A film version starring Michael Fassbender was released in 2016.

Netflix and Ubisoft have previously collaborated on animated projects, including Rabbids Invasion and the upcoming Splinter Cell: Deathwatch. The Assassin’s Creed series marks their biggest live-action venture to date.



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‘Mortal Kombat 2’ trailer: Karl Urban is unleashed as Johnny Cage in blood-soaked sequel


Karl Urban in a still from ‘Mortal Kombat 2’

Karl Urban in a still from ‘Mortal Kombat 2’
| Photo Credit: Warner Bros.

Warner Bros. has released the first official trailer for Mortal Kombat 2, offering fans a brutal glimpse at the highly anticipated sequel to the 2021 video game adaptation. The film is set to hit theatres on October 24.

Leading the charge in the new footage is The Boys star Karl Urban, who joins the franchise as Johnny Cage — the cocky Hollywood action star turned fierce warrior. The trailer introduces Cage in true over-the-top fashion, as he delivers punishing blows and quips in a style that mirrors the videogame’s blend of violence and attitude.

Mortal Kombat 2 expands the roster of fan-favorite characters from the iconic fighting game series. Adeline Rudolph steps into the role of Kitana, the fan-wielding princess; Tati Gabrielle plays her ally-turned-enforcer Jade; Damon Herriman appears as the sinister necromancer Quan Chi; Martyn Ford is Shao Kahn, the Outworld emperor; and Ana Thu Nguyen portrays Queen Sindel. CJ Bloomfield and Desmond Chiam round out the Outworld royalty as Baraka and King Jerrod, respectively.

Returning cast members include Lewis Tan as Cole Young, Jessica McNamee as Sonya Blade, Ludi Lin as Liu Kang, Mehcad Brooks as Jax, Josh Lawson as Kano, Chin Han as Shang Tsung, Tadanobu Asano as Raiden, Hiroyuki Sanada as Scorpion, Joe Taslim as Sub-Zero, and Max Huang as Kung Lao.

Simon McQuoid, who made his directorial debut with Mortal Kombat, is back at the helm. Judging by the trailer, the sequel aims to double down on what fans loved about the first including intense martial arts action, dark fantasy lore, and, of course, a healthy dose of graphic fatalities.



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Radio OMR launched to cater to music interests of a multilingual population on Chennai’s IT Corridor


The music scene at OMR hit a high note with OMR 360, a grand event last year by Federation of OMR Residents Associations (FOMRRA). For the uninformed, OMR 360 spotlighted talent across disciplines including music.

With the latest development — https://radio.fomrra.org — it is close to achieving a crescendo. Recognising the rich vein of music talent in OMR and residents’ insatiable hunger for melodies, FOMRRA launched the Music & Lyrics WhatsApp Group (https://music.fomrra.org). This platform has become a veritable symphonic salon — a confluence of musicians, music lovers and enthusiasts sharing knowledge, exchanging ideas, and discussing everything from classical ragas to chart-toppers. The group is alive with musical discourse, lyrical appreciation, and technical discussions that strike a chord with all members.

Moreover, this digital platform is a one-stop lounge for all things music — whether a parent is searching for a talented music tutor or a local shop selling instruments, the community’s harmony makes it possible. Many music teachers have also joined the ensemble, adding to the harmony of growth and learning.

The melodies and songs discussed within the group are now compiled into an online playlist on the popular music app Spotify. Aptly called Radio OMR (accessible from https://radio.fomrra.org) this well-crafted collaborative symphony by OMR’s music enthusiasts, is a rich tapestry woven with diverse tunes from multiple languages, genres, and eras — truly a reflection of OMR’s colourful musical palette. The playlist currently has over a 1000 songs that add up to a playtime of over three days — as of the morning of July 18, 2025, it ran to 78 hours and five minutes. The aim is to add many more songs in the days to come.

And between OMR 360 and https://radio.fomrra.org, FOMRRA has hit other riveting music notes. 

Mini Tiffin

Following OMR 360’s success, a new music ensemble spun into existence — Mini Tiffin, a band convened by Umesh Deenadayalan of Sholinganallur. Their first live performance to a packed audience was a carnival of meoldy, featuring a delightful repertoire of OMR’s resident singers. 

The audience of over 2000 were swept away as the stage at Babaji Vidyasharam turned into a music fairground, creating an electrifying atmosphere of harmony and joy.

‘OhMaRgazhi’ unplugged

December brought the melodious magic of OhMaRgazhi, a fortnight that provided a platform for leading maestros of classical genres to enthral the residents of OMR. Their compositions brought a regal touch to the music festival.



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‘Tron: Ares’ trailer: Jeff Bridges is back, NIN drops fresh track from OST


A still from ‘Tron: Ares’

A still from ‘Tron: Ares’
| Photo Credit: Disney

Disney has unveiled the first trailer for Tron: Ares, the long-awaited third entry in the Tron franchise, and it’s clear the digital frontier is breaking into reality. Directed by Joachim Rønning, the sci-fi sequel sees Jared Leto as Ares, a sentient program sent from the digital Grid into the real world — marking the first time in the series that the story unfolds primarily outside the virtual space.

The trailer teases a collision between humanity and artificial intelligence, framed by sleek visuals from ILM and a pounding new score from Nine Inch Nails. Most notably, Jeff Bridges returns as Kevin Flynn, the iconic architect of the Grid, following his mysterious disappearance at the end of Tron: Legacy.

Joining Leto and Bridges is a powerhouse cast including Jodie Turner-Smith, Greta Lee, Gillian Anderson, and Evan Peters. According to the official synopsis, Tron: Ares follows “a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.”

Alongside the trailer drop, Nine Inch Nails released their first new track in five years, As Alive As You Need Me to Be, now available via Interscope Records. Co-produced by Boys Noize, the synth-heavy single leads the Tron: Ares soundtrack, due out Sept. 19.

The tracklist was also revealed, confirming all-new music from the Grammy-winning duo Trent Reznor and Atticus Ross, who are scoring the film.

Tron: Ares opens in theatres worldwide on October 10, 2025





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Stephen Colbert’s ’Late Show’ cancelled by CBS, to end in May 2026


CBS is cancelling The Late Show With Stephen Colbert next May, shuttering a decades-old TV institution in a changing media landscape and removing from air one of President Donald Trump’s most prominent and persistent late-night critics.

Thursday’s announcement followed Colbert’s criticism on Monday of a settlement between Trump and Paramount Global, the parent company of CBS, over a “60 Minutes” story.

Colbert told his audience at New York’s Ed Sullivan Theater that he had learned Wednesday night that after a decade on air, “next year will be our last season. … It’s the end of ‘The Late Show’ on CBS. I’m not being replaced. This is all just going away.”

The audience responded with boos and groans. “Yeah, I share your feelings,” the 61-year-old comic said.

Three top Paramount and CBS executives praised Colbert’s show as “a staple of the nation’s zeitgeist” in a statement that said the cancellation “is purely a financial decision against a challenging backdrop in late night. It is not related in any way to the show’s performance, content or other matters happening at Paramount.”

In his Monday monologue, Colbert said he was “offended” by the $16 million settlement reached by Paramount, whose pending sale to Skydance Media needs the Trump administration’s approval. He said the technical name in legal circles for the deal was “big fat bribe.”

“I don’t know if anything—anything—will repair my trust in this company,” Colbert said. “But, just taking a stab at it, I’d say $16 million would help.”

Trump had sued Paramount Global over how “60 Minutes” edited its interview last fall with Democratic presidential candidate Kamala Harris. Critics say the company settled primarily to clear a hurdle to the Skydance sale.

Colbert took over The Late Show in 2015 after becoming a big name in comedy and news satire, working with Jon Stewart on The Daily Show and hosting The Colbert Report, which riffed on right-wing talk shows.

The most recent ratings from Nielsen show Colbert gaining viewers so far this year and winning his timeslot among broadcasters, with about 2.417 million viewers across 41 new episodes. On Tuesday, Colbert’s Late Show landed its sixth nomination for a Primetime Emmy Award for outstanding talk show. It won a Peabody Award in 2021.

David Letterman began hosting The Late Show in 1993. When Colbert took over, he deepened its engagement with politics. Alongside musicians and movie stars, Colbert often welcomes politicians to his couch.

Democratic Sen. Adam Schiff of California was a guest on Thursday night. Schiff said on X that “if Paramount and CBS ended the Late Show for political reasons, the public deserves to know. And deserves better.” Democratic Sen. Elizabeth Warren of Massachusetts released a similar statement.

Colbert’s counterpart on ABC, Jimmy Kimmel, posted on Instagram “Love you Stephen” and directed an expletive at CBS.

Actor and producer Jamie Lee Curtis noted in an interview in Los Angeles that the cancellation came as the House passed a bill approving Trump’s request to cut funding to public broadcasters NPR and PBS.

“They’re trying to silence people, but that won’t work. Won’t work. We will just get louder,” said Curtis, who has previously criticized Trump and is set to visit Colbert’s show in coming days.

Colbert has long targeted Trump. The guests on his very first show in September 2015 were actor George Clooney and Jeb Bush, who was then struggling in his Republican presidential primary campaign against Trump.

“Gov. Bush was the governor of Florida for eight years,” Colbert told his audience. “And you would think that that much exposure to oranges and crazy people would have prepared him for Donald Trump. Evidently not.”

Late-night TV has been facing economic pressures for years; ratings and ad revenue are down, and many young viewers prefer highlights online, which networks have trouble monetising. CBS also recently cancelled host Taylor Tomlinson’s After Midnight, which aired after The Late Show.

Still, Colbert had led the network’s late-night competition for years. And while NBC has acknowledged economic pressures by eliminating the band on Seth Meyers’ show and cutting one night of Jimmy Fallon’s The Tonight Show, there have been no such visible efforts at The Late Show.

Colbert’s relentless criticism of Trump, his denunciation of the settlement, and the parent company’s pending sale can’t be ignored, said Bill Carter, author of The Late Shift.

“If CBS thinks people are just going to swallow this, they’re really deluded,” Carter said.

Andy Cohen, who began his career at CBS and now hosts Watch What Happens Live, said in an interview: “It is a very sad day for CBS that they are getting out of the late-night race. I mean, they are turning off the lights after the news.”

Published – July 18, 2025 11:55 am IST





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