Life & Style

A new Mumbai flagship blends Indian craft with contemporary design


Furniture shopping usually begins with a colour palette and moodboard, a few reels saved on Instagram, and a flexible budget on how much you are willing to splurge on that one statement couch, rug or lounge chair. To help make all those design decisions under one roof, the new Interio by Godrej flagship store in Vikhroli, Mumbai, spread across a sprawling 22,000 sq. ft. takes its inspiration from Indian craftsmanship and contemporary aesthetics.

Vaishali Lahoti

Vaishali Lahoti

Its spatial design, conceptualised over a year ago, was led by Mazumdar Bravo Architects, celebrated for their blend of contemporary minimalism informed by a distinctly Indian warmth. With vignettes showcasing Indian artistry to spaces for modular, reconfigurable furniture or new lifestyle categories such as children’s, outdoor, and gaming collections, “every detail, from layout to materiality, was designed to bring the brand’s identity to life — timeless, functional and rooted in Indian design sensibilities,” explains Vaishali Lahoti, deputy general manager, Godrej Interio.

Blending craft and conscious design

For Aditi Anuj, founder and creative director of Jaipur-based Adigami Studio, origami is both a medium and meditation. For the space titled ‘Breathe’ within the Interio store, her team has worked with Bengaluru-based design studio Oorjaa to create the installation ‘Hues of Blues, The Byōbu’. The Byōbu or wind wall was a Japanese folding screen, painted with scenes of nature and poetry, that transformed rooms into contemplative sanctuaries. Within a lantana frame (crafted by Oorjaa), over 15,000 hand-folded origami modules, each crafted from a 5-cm square, create fluid waves of blue inspired by the timeless Japanese motif of the great wave.

“Our installation draws from the Bauhaus philosophy, where art, design, and engineering come together in perfect balance. Paper folding was an integral part of the movement, a way to explore structure, form, and transformation. Through this installation, we reimagined those principles in the brand’s signature colours, creating a piece that reflects its spirit of play, innovation, and purpose,” states Anuj.

In ‘Flow’, curves replace corners, and a delicate, wispy light design of lantana and banana paper ( created by Oorjaa) adds a luminous glow, accentuated by handwoven rugs in a living space.

The store focuses on both form and function, conscious of how the outdoors influences the indoors. “Homeowners are conscious about what works better for them, where aesthetics are more integral than surface decoration, and maintenance must be hassle-free, too. To deal with the humidity we experience in India, all the metal products are given moisture-resistant treatment, the steel kitchen modules are galvanised, and powder-coated so the elements do not corrode. Engineered wood is graded and treated as well, to withstand moisture retention,” says Lahoti.

Breathe - a bamboo sculpture, origami screen, and hand-knotted rug, each detail is chosen to soothe.

Breathe – a bamboo sculpture, origami screen, and hand-knotted rug, each detail is chosen to soothe.

Spaces are carved out to pay homage to award-winning craftsmanship in various material traditions. Cane Concept, founded by designer Aku Zeliang, celebrates the Ao-Naga weaving technique by reinterpreting tribal motifs into modern designs for accessories. While a crimson interwoven decor piece from the Tekirak Collection, reflects Zeliang’s sustainable design ethos, crafted from responsibly foraged bamboo from Peren’s forests and rattan, it blends climate-conscious construction with contemporary design.

Sirohi’s (a women’s craft collective from Sirohi, Rajasthan) rust-orange tapestry brings a living room space to life using traditional charpai and macramé techniques, to create art from natural fibres and upcycled waste. Using ceramic as his muse, Brahmdeo Ram Pandit, a Padma Shri awardee, creates three clay-cobalt blue statements, bridging texture and timeless artistry. Elsewhere in the store, three metal instruments tell the story of Indian antique metalwork techniques, from Makaan, a Jaipur-based interior concept store by designer Tahir Sultan.

‘Flow’ is a space where clay meets colour with tribal wood, banana paper lights, and handwoven rugs.

‘Flow’ is a space where clay meets colour with tribal wood, banana paper lights, and handwoven rugs.

The soft furnishing, furniture and accessories can be personalised and customised. Lahoti says, “This space was designed so you can slowly unfold the store, see options and evaluate your choices. Indians like experimentation, and we had an opportunity to curate these spaces with a lot of colour. For home decor and design, being purpose-led is important — you can pick both colours and concept pieces if you are creating a calm aesthetic or a more energetic corner.”

She adds: “Lastly, the Indian middle class is not so constrained by tight budgets anymore, but is more focused on what they are looking for and are willing to stretch their limits. People want to connect with their roots in ways that are modern, and are willing to listen and pay attention to the process, people and materiality.”

Curated look at the Interio by Godrej flagship store.

Curated look at the Interio by Godrej flagship store.

Timeless utility
There’s also an ode to Godrej’s century-long design journey, from its eponymous steel almirah to safes, which transitioned to modular storage solutions. “One of our oldest patented cupboards, from the 1930s, is showcased, and the whole wardrobe gallery talks about the strength of our wardrobe collection in steel and wood,” explains Lahoti.

The freelance writer is based in Chennai.

Published – November 14, 2025 06:55 pm IST



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Senior-living real estate surges in Tamil Nadu with Chennai at the forefront


For years, Coimbatore held the reputation of being Tamil Nadu’s senior-living hub. But as India’s silver economy gathers pace, the landscape is rapidly expanding. More towns across the State are emerging as attractive destinations for senior-living real estate, with Chennai now taking a leading position. Real estate developers — from Tamil Nadu and other parts of India — are increasingly betting on the city.

Reflecting this growing trend, Communities — a Niranjan Hiranandani Group initiative — announced its strategic entry into the emerging asset class of premium senior living earlier this week. The launch of ‘Elements’ will take place at Hiranandani Parks, Oragadam, an integrated township in Chennai. This particular project is being developed in partnership with GTB Urban Developers.

When asked why the group chose Chennai for its first project in this segment, Niranjan Hiranandani, founder and chairman, Hiranandani Communities, said that the group has always done things differently. He pointed out that when the group first ventured into Oragadam, there were hardly any major developers in the area, but today, the region has witnessed a surge in real estate activity with several prominent players setting up projects there. “We have been able to set the precedence,” he said.

Spread across 4.5 acres with a development potential of one million sq. ft., the project will feature 400 residences to be developed in two phases. Each residence will be a thoughtfully designed 2-BHK unit of approximately 700 sq. ft., priced from ₹60 lakh onwards. The overall project value is estimated at ₹300 crore.

Other cities gaining traction

Arun Bharathi, managing director, GTB Urban Developers, who is also the founder and managing director of Bharathi Meraki, said: “Chennai and Coimbatore are well established as retirement markets. Trichy, Madurai, Hosur, Puducherry and Kanchipuram are also gaining traction for their serene environments, making them attractive for retirement living. Together, tranquil environments, affordability, and improving healthcare access highlight the growing demand for well-planned, service-led senior communities in the State.”

According to Bharathi, two senior-living projects have been made fully operational under the ‘Elements’ brand. The upcoming projects — Elements Madhuram and Elements Sattva — are scheduled to be handed over in January and March 2026, respectively. Full financial closure has been achieved for all developments, backed by a balanced mix of company equity, sales proceeds, and construction finance.

Another popular real estate player, Arihant, in partnership with Ashiana Housing, has developed one of Tamil Nadu’s largest senior living communities — Ashiana Shubham on GST Road near Maraimalai Nagar. The project, spread across over 1 million sq.ft. is fully operational and home to a vibrant senior community. “We are currently developing approx. 7 lakh sq.ft. of premium senior living along East Coast Road [ECR], Chennai. This new project, also in collaboration with Ashiana, will bring a resort-style senior living experience with integrated wellness, hospitality, and medical support,” said Arun Rajan, chief executive officer, Arihant Foundations. “The ECR project represents the next generation of senior housing — premium, well-connected, and thoughtfully designed for modern retirees who value independence with comfort,” he adds.

Rajan highlighted that in Chennai, GST Road and ECR have emerged as the most preferred corridors, driven by excellent healthcare access, robust social infrastructure, and tranquil surroundings. He said that the State’s senior living sector is projected to expand at a compound annual growth rate of 25%–30% over the next five years.

Changing trends

Today’s senior citizens are increasingly viewing senior living through a modern lens — prioritising technology-driven convenience, smart infrastructure, and AI-enabled support systems. From automated safety features to health monitoring solutions, technology is redefining how retirement communities are designed and experienced.

“One of the key trends is the increasing acceptance of senior living as a way of life by the families. The associated stigma has faded. Also, there is growing demand for high-end, lifestyle-oriented senior living communities that offer modern amenities, including wellness programmes, recreational activities, cultural events, and dining options that cater to health-conscious seniors,” said Jerry Kingsley, head, value & risk advisory, India and head capital markets, Chennai, Jones Lang LaSalle (JLL). “The previous generation preferred isolation and seclusion from the hustle of the city. But the current generation of seniors is looking for a connection to the socio-infrastructure offered by the city. Also, the current working population prefers their parents to live in the city for better and quick connectivity to them,” Kingsley adds.

Use of technology

Meraki explained how senior living design has evolved from being purely care-based to lifestyle-driven. “Earlier, focus was limited to safety and medical needs. Today, it’s about creating vibrant, inclusive spaces that promote independence, comfort, and community,” he said. He elaborated that technology is playing a transformative role in senior living by enhancing safety, independence, and quality of life. Smart systems such as fall detectors and health monitors help residents live independently while ensuring a quick emergency response. Tele-health and digital wellness platforms make healthcare more accessible, and community apps foster social engagement and connectivity. He gave an example of how Elements Communities use AI for preventive care, such as a wellness tracker that monitors residents’ health even at night while they sleep. Rajan said that voice-assisted systems are enabling seniors to manage lighting, temperature, and entertainment effortlessly — fostering independence. “By integrating technology seamlessly into living spaces, senior communities today are enabling residents to lead independent, dignified, and connected lives — redefining what comfort means in the golden years,” he adds. Tamil Nadu’s senior-living sector is entering a new growth phase, driven by shifting mindsets, strong healthcare infrastructure, and tech-led innovation. Senior housing is no longer just about care — it’s about comfort, independence, and a connected way of life.

Published – November 14, 2025 06:54 pm IST



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Bengaluru’s housing market finds stability in the mid-segment


The housing market in Bengaluru continues to evolve and thrive, proving itself resilient, adaptive, and full of opportunity. Bengaluru’s real estate narrative is no longer defined by extremes of affordability or luxury but by the steady and confident rise of the mid-segment housing market. This reflects the growing preference for homes that balance aspiration with affordability.

The current momentum is powered by major infrastructure development across the city. This includes metro extensions, new transport corridors, and expanding social infrastructure across Bengaluru’s north, east, and southeast. The result is consistent absorption and sustained demand for mid-segment homes. These changes are redefining what ‘livable’ means and expanding the city’s housing map far beyond traditional boundaries.

While mid-market housing continues to flourish, the premium segment shows signs of fatigue. It points to affordability pressures that are making homebuyers in this category more cautious. They are taking longer to decide, negotiating harder, and waiting for better value. Developers, in turn, are offering flexible payment plans and discounts, yet sales momentum remains sluggish.

The reasons are clear: rising ticket sizes have stretched purchasing power, while income growth has not kept pace with housing prices. Add to that global economic uncertainty and job transitions in the technology sector. As a result, buyers are cautious about big-ticket purchases — and understandably so.

Homes priced between ₹65 lakh and ₹1 crore continue to form the core of Bengaluru’s housing demand. These homes cater to salaried professionals earning between ₹10 and ₹20 lakh annually. Moreover, household incomes in this bracket have grown steadily, from ₹18 lakh-₹25 lakh in 2022 to ₹22 lakh–₹30 lakh in 2024. This allows for greater comfort and confidence in home-buying decisions.

This set of homebuyers is pragmatic yet aspirational. They seek well-connected homes with strong social infrastructure and are aware that waiting too long could make ownership harder. The result is a sense of urgency that fuels steady demand. This blend of caution and aspiration makes the mid-segment uniquely resilient, reflecting not only market strength but also the mindset of the modern Indian homebuyer.

Adapting fast

Developers are clearly reading the signals and realigning portfolios to focus more on the mid-segment housing market. It offers a more stable, scalable growth path than the affordable or luxury categories. They are also embracing modern construction technologies such as aluminium formwork, MIVAN (aluminium formwork system), and factory-cast components. These innovations reduce timelines, improve quality, and optimise costs.

The geography of growth is also shifting. A majority of new launches in Q3 2025 came from North Bengaluru — around Devanahalli, Yelahanka, and Thanisandra — thanks to the upcoming Blue Line metro. In East Bengaluru, Whitefield and Old Madras Road were prime areas of growth, while in the South and Southeast, Sarjapur Road, Electronic City, HSR Extension, and Kanakapura Road saw notable traction. These areas, once considered peripheral, are now vibrant growth corridors.

Overcoming challenges

After years of slowdown triggered by demonetisation, GST, RERA, and the pandemic, the real estate industry is finally experiencing strong price escalation and revived demand. However, the recovery coincides with rising construction costs caused by higher raw material prices and labour shortages. Across India, prices have moved upwards, but Bengaluru’s surge has been sharper — driven by end-user demand and a growing migrant workforce.

Despite these price increases, rents have remained largely stable, keeping mid-segment homes both active and aspirational. The mid-segment today is Bengaluru’s confidence zone — a reflection of its economic strength and long-term potential.

Additionally, the recent change in GST rates on cement has come at an opportune time for the housing market, as this reduction is expected to bring down project costs to some extent. While ongoing or near-completion projects may see limited impact, upcoming projects are likely to pass on these benefits to buyers. This translates into lower ownership costs, making it highly attractive for first-time and mid-segment buyers. To sustain this momentum, policy support will be critical. The government should consider extending the 1% GST benefit for affordable housing to homes priced up to ₹65 lakh–₹75 lakh (from the current ₹45 lakh). This would help bring more projects and buyers under the affordable housing bracket, making homes more accessible to the common man.

For investors, developers, and policymakers, the mid-segment will remain the most reliable barometer of Bengaluru’s housing health. It represents not just data points, but the optimism, resilience, and aspirations of a city that continues to build its future confidently.

The writer is managing director of Sowparnika Projects.

Published – November 14, 2025 06:24 pm IST



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Celebrating the Indian cat – The Hindu


The tawny, textured walls of the exhibition hall at the Museum of Art & Photography (MAP) bear a remarkable resemblance to the fur of a ginger cat, fitting enough for an exhibition titled ‘The Many Lives of the Cat’.

This new exhibition, which opened on November 8 and will run until March 29 next year, is all about “our furry friends (who) have lingered at the edge of South Asian art, rarely in the spotlight,” as the curatorial note puts it.

Featuring cats on paintings, sculptures, textiles, matchbox covers, and postcards, ‘The Many Lives of the Cat’ is an ailurophile’s delight, with felines of every shape, size and colour greeting you as you make your way through the gallery.

“We realised that cats have made so many appearances across time periods, artists and materials,” says Khushi Bansal, the exhibition’s curator, who is giving me a walk-through. “This became the starting point of our exhibition.”

Late 19th-century wall hanging

Late 19th-century wall hanging
| Photo Credit:
Special Arrangement

The first artwork we set our eyes upon is an image of a rather dapper black cat wearing a white bowtie, peering out of a white frame with a slightly startled expression in its eyes. “This is a hand-painted postcard. There is a squeaky toy in the middle, which makes a sound when pressed,” she explains.

Beside the postcard is a textile label depicting a child patting a remarkably fluffy cat, a remnant of India’s colonial past. “Textile labels were stuck onto the bales of cotton that were sent back to India in the late 19th, early 20th century,” she says. “The British would take the cotton from India, make it into a product and send it back here.”

The highlights of the exhibition, which is divided into four sections titled ‘The Lazy Companion’, ‘Thieves & Other Mischiefs’, ‘The Political Cat’ and ‘The Fierce Cat’, include an 18th century opaque watercolour on paper titled ‘Two Ladies, a Cat and a Parrot in a Palace’; a folio from a Deccan manuscript going back to the 17th century depicting two brawling cats; two highly stylised pieces by Jamini Roy, ‘Still Life with Fish’, an oil on an acrylic sheet by KG Subramanyan and an untitled image of a cat in Bhupen Khakhar’s sketchbook.

Other cultural artefacts, such as Ganjifa cards, a late 19th-century wall hanging made of wool and gilt metal, and matchbox labels with cats printed on them, intersperse the artwork, a deliberate attempt to erode art hierarchies, collapsing the boundaries between ‘high’ art and ‘low’ art. “What does it mean to place a mass-produced matchbox label alongside a miniature, for example?”

Two Ladies, a at and a Parrot in a Palace

Two Ladies, a at and a Parrot in a Palace
| Photo Credit:
Special Arrangement

The exhibition has been inspired by the book The Indian Cat by art critic and historian BN Goswamy, who passed away in 2023. “BNG was a dear friend of the institution (MAP) and supported us in incredible ways. We are so grateful and lucky for that, and we wanted to honour that legacy.”

Not surprisingly, extracts from the book, which delves into how cats are an integral part of Indian literature, art and mythology, also form part of the exhibition, ranging from Goswamy’s commentary on the KG Subramanyan artwork to explanations about the symbolism behind the recurring motif of a cat carrying away a fish in Kalighat art.

“Essentially, in this painting tradition that emerged around the Kalighat Kali Temple of Bengal, the cat with the prawn, fish, lobster, or different aquatic creatures in its mouth, became a symbol of protest, a satire against the priests. It became a metaphor for corruption.”

19th century matchbox label for H.A. Gaffer

19th century matchbox label for H.A. Gaffer
| Photo Credit:
Special Arrangement

Khushi hopes that the exhibition will spark a broader conversation about the influence the cat has had on Indian art and see the types of stories it communicates.

“Sometimes they are sly. Sometimes they are a symbol of power, or loyalty, and at others they are just there. It also ties into how an artist perceives a cat and their association with it.”

Art, after all, is shaped by the social, political and cultural events of a time, and this exhibition, which “gives you a glimpse into society and all the varying movements that happened across time and history,” is no different.

While history books tend to reduce the past to facts and figures, says Khushi, it is so much more. “By working with the arts, you get a sense of what is actually happening to people at that moment in time, which is very powerful.”

The Many Lives of the Cat will be held at the Museum of Art & Photography (MAP), Bengaluru, till March 29

Published – November 14, 2025 05:48 pm IST



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Zohran Mamdani: the outsider insider — and now New York’s mayor


Chances are you have heard of Zohran Kwame Mamdani as the newly elected mayor of New York who played ‘Dhoom Machale’ at the end of his victory speech. Either that or you may have, like many of us, first stumbled upon him swinging from a New York lamppost, mouthing lines from Bollywood blockbusters Karz and Deewar. In the reel that went viral with over 40 million views, Mamdani flipped those iconic dialogues into the language of his campaign: power to tenants, dignity to workers, transit for all. He had reimagined Amitabh Bachchan’s defiance for Astoria’s working class.

In that brief reel, just as in the rest of his campaign, one could see everything that fuels him: the instinct for play, the hunger for story, the belief that narrative forges belonging. This, coupled with over 90,000 volunteers canvassing for him, delivered him the historic win for the job said to be the most difficult in American politics after the presidency. “People don’t realise what a movement it had become. Over three million doors were knocked. Mamdani really met people where they were at. Literally. On the streets, in train stations, in cultural settings like gurudwaras,” says Hana Mangat, a writer and organiser from Brooklyn, who worked on Mamdani’s campaign.

New Yorkers speak about why they voted for Zohran Mamdani

New Yorkers speak about why they voted for Zohran Mamdani
| Video Credit:
The Hindu

Son of cinema and critique

Mamdani has lived at the intersection of art and agitation. Before turning mayor-elect for New York, he was Mr. Cardamom, the rapper exploring his Indian and Ugandan roots. His mother, Mira Nair, an Oscar-nominated filmmaker, gave the world Mississippi Masala, Monsoon Wedding, and Salaam Bombay!. His father, Mahmood Mamdani, has spent a lifetime interrogating colonial power and teaching others to do the same. From her, Mamdani inherited the camera’s empathy; from him, the scholar’s impatience with injustice.

It’s no accident that his politics feels cinematic. He well understands pacing, framing, and character. He builds tension, releases it with humour, and punctuates speeches like a filmmaker cutting scenes. On the campaign trail, he didn’t just talk about housing and transit. He scripted a collective imagination where immigrants aren’t footnotes, they’re protagonists. His campaign wasn’t the language of glossy manifestos or billionaire donors; it was the rhythm of bus routes and bodegas. He talked about free public transit. City-run grocery stores. Affordable housing. Childcare that didn’t cost a paycheck. It was the kind of unglamorous, everyday stuff that actually decides whether a city is liveable.

Zohran Mamdani during his campaign

Zohran Mamdani during his campaign
| Photo Credit:
Kara McCurdy

And in doing that, he turned mundane policies into matters of the heart. He made the working class visible again, not as statistics but as characters with agency. “He shows an integrity that I would like my children to see in public service,” says Aarti S., a New York City resident who voted for him.

Aarti S.

Aarti S.

What began as a borough movement found resonance beyond New York City borders. With Mamdani’s quick wit, humour, and social media savvy, it spilled into national consciousness. For instance, the moment he spelled out his name for his opponent Andrew Cuomo became instantly viral, reborn online as the ‘Mamdani Song’, a cheeky remix of Gwen Stefani’s ‘Hollaback Girl’. People as far as Texas and Washington have been humming along to it.

A cultural shift

For South Asian voters who grew up on cassette tapes, pirated DVDs, and Sunday screenings, Mamdani’s Bollywood punch-up was more than nostalgia. It was rebellion. It said that culture isn’t soft power, it’s muscle. For generations, immigrants have been told to erase their identities to survive. The South Asian success story in America has been about fitting in: the Ivy League degree, the start-up hustle, the quiet pride of middle-class endurance, gratitude for the seat at the table.

Mamdani’s rise throws that narrative out the window. He refuses to perform the ‘good immigrant’ act of someone polite, apolitical, and endlessly grateful. He didn’t just pull up a chair. He built his own table and invited the city’s overlooked majority to sit beside him. And that’s a radical proposition in a culture that still rewards quiet assimilation.

“Mamdani becoming the first South Asian American mayor of New York City is not just a political milestone. This is a victory for every immigrant who came to New York hoping not only to live here but to belong here,” says Dilip Chauhan, a prominent South Asian community leader and former deputy comptroller of Nassau County.

In America’s political theatre, where immigrant candidates often sandpaper away their origins for mass appeal, Mamdani did the opposite. He used his South Asian identity as texture. He leaned into brownness not as branding, but as belonging. For the community, it marks a generational and cultural shift. Here’s a man who refuses to apologise for his noise. He’s brown, Muslim, socialist, loud, and still winning. “It’s a difficult time to be brown and Muslim in the country. I am excited that Mamdani is going to be representing us. I can already see momentum growing from his win and people realising that there is power in politics and voting,” says Nahiyan Taufiq, an organiser from Queens, who worked on his campaign. When he played ‘Dhoom Machale’ at his victory party, it was ownership, it was a joyous reclamation that told the crowd: we don’t have to mute where we come from to shape where we’re going.

Nahiyan Taufiq

Nahiyan Taufiq

The politics of timing

To understand the meaning of Mamdani’s win, one has to witness the mood of New York right now. Timing matters, and Mamdani’s couldn’t have been sharper. His win arrives at a moment when New York is tired of politicians who talk about equity while lunching with landlords. In a city as jaded as New York, authenticity is the rarest currency. Mamdani’s greatest gift was to sound unscripted in a space that thrives on spin.

Timing matters, and Mamdani’s couldn’t have been sharper

Timing matters, and Mamdani’s couldn’t have been sharper
| Photo Credit:
Kara McCurdy

The city that once prided itself on being the beating heart of liberal democracy had begun to look like a gated economy. The pandemic exposed faultlines that years of rhetoric had tried to plaster over: housing costs that make life precarious, public transit stretched thin, and a cost-of-living crisis that has left the city’s working class gasping for space.

While Mamdani has infused hope, there are questions too about whether he will be able to deliver. Many New Yorkers, even the ones who voted for him, wonder if his promises are feasible. “If he can reduce the cost of childcare, that would be great. Also, we need to retain our gifted programmes in schools,” says Aarti. “He said he would tax millionaires, but he does not have the authority to do that.”

Shyam, also a New York City resident, feels that Mamdani, with his inexperience, has been set up for failure. “Mamdani lacks experience, and there are many issues. Let’s take the example of rent freeze on apartments. 40% of apartments in New York City are rent-controlled. If the landlords are not allowed to raise rents, they are not likely to invest in repairing houses or building new ones.”

Despite these questions that also marked his campaign trail, the city has rallied behind him. For a city where immigrant energy has long been commodified but rarely celebrated, Mamdani’s ascent is a symbolic renewal. It says: the people who make New York work can also make it better. And that is the true meaning of his win: in not just the votes counted but in voices recovered.

What people said

Laila Tyabji

“Today, I am one of many Delhi ‘aunties’ [to use Zohran’s description of us elderly biddies] whose heart is thrilling with vicarious pride and pleasure at the extraordinary victory of Zohran Mamdani in the USA; wresting the New York mayorship, against all odds, from the entrenched and increasingly corrupt and entitled political establishment. I’ve known Zohran’s mother Mira since her teens, when she and my younger brother Khalid were best buddies, acting together in TAG, Barry John’s Theatre Action Group. Mira was in and out of our home and has remained part of our family ever since. We got to know Mehmood, Zohran’s father, soon after Mira met him. No intimidating dry ivory tower academic, despite his distinguished career as a scholar, writer and political analyst. Mehmood is both fire and fun, with humour, warmth and a luminous intellect that matches Mira’s creativity and imagination. And of course he’s an activist too, expelled from his homeland Uganda for opposing the dictator Idi Amin.

I’ve known Zohran since he was a bump in Mira’s belly! I remember her being heavily pregnant with him when she had to go to the Venice Film Festival. Was it the Golden Lion nomination for Best Film? I was delighted when she asked me to design her outfit. All his life, Zohran has travelled the world with Mira and Mehmood wherever they went; scenarios as diverse as movie sets, the corridors of academia, glitzy film festivals, or get-togethers with his gregarious yet close-knit Indian family. It’s given him his eclectic spirit, his ease with people, the way he relates to the old, the young, the marginalised, and reacts to diverse issues and situations. [Unfortunately] despite globalisation, we all live in tightly sealed silos. This was marked by the reactions to Zohran’s campaign and ultimate resounding victory. In Delhi we celebrated, elsewhere there was apprehension. People from the U.K., Australia, South Africa and even India are writing in predicting doom, and sending their condolences to New Yorkers. Even the leaders of his own Democratic party failed to endorse him. Obama, that was so disappointing.”

Hana Mangat

“Zohran Mamdani’s win means a lot to me as a young person who would like to be able to afford to build a life in New York. His win feels like it has reignited a lot of hope. I think Zohran exudes a love for this city that feels really genuine. Three million doors were knocked. That is a massive political movement, and it beat the millions of dollars that were invested against him. I [remember] getting a lot of Instagram ads from his opponent, Andrew Cuomo. The sheer Islamophobia in them [was appalling]. I got one that said Zohran supported an imam that promotes terrorism. They thickened his beard and made him seem like more of a foreigner.”

Nahiyan Taufiq

“I got involved with Zohran Mamdani’s campaign after I saw a TikTok about him. I was intrigued because he vocally supported Palestine, which is not something you see often in American politics. Then, as I learned more about his policies, his campaign and his background, I realised that he is a politician I could actually get behind. He advocates for the immigrant community and the working class, which are often forgotten about in this city by the rich and billionaires. So, it’s really powerful to see not only someone who advocates for minorities be mayor, but also see an immigrant and a Muslim be the mayor of New York City, especially in a political climate where Trump and MAGA is taking over.”

Madhushree Ghosh

“Everybody’s got a New York City story, and mine is from three decades ago. I’d landed in the city for graduate school with two suitcases and travellers checks. But I didn’t have money, so I couldn’t get a cart to put my suitcases on. This man stopped by me. He was there to pick up his family, and he gave me $5 and said, ‘Pay it forward.’ That’s the essence of what New Yorkers are. They may be busy, but if they can help, they will. And that, to me, epitomises what Zohran Mamdani’s campaign was all about. The fact that Zohran has Indian and African heritage, that he understands what socialism means in terms of how you could be a Democrat and care for your people, is what is exciting.”

Sanjeev Joshipura

“One can agree or disagree with Zohran Mamdani’s policy positions or be somewhere in between. And one should acknowledge that a message — and a messenger — that works in New York City won’t necessarily work everywhere in America.”

Anu Sehgal

“Indians are the fastest-growing minority group [in the U.S.]. With Zohran Mamdani’s historic win, alongside New York welcoming its first Indian-origin mayor, we’ve witnessed a symbolic shift. His speech spoke directly to immigrant identity. It honoured the people who arrive, work, hope, and rise. It also included moments that only our community would recognise, from quoting Nehru to closing to the song from Dhoom. It was a reflection of an identity that is both Indian and American, without choosing between the two.”

Kavita Das

“Thirty years ago, I worked for two city governments in housing and community development. It was a formative experience for me, yet a lonely one. I never encountered other South Asians working in city government. So, I’m excited that Americans are going to see South Asians playing a role in sectors beyond medicine, engineering, and tech. I’m also excited for the South Asian diaspora to see all the different ways that we can show up in society, beyond the narrow stereotypical ones. It significant to me that Mamdani comes from a family of such accomplishment, but also [different backgrounds] — Hindu and Muslim. This is such a fraught divide in India and in the diaspora. But you look at how it has cultivated such richness in their family and the work they do out in the world, and in the child that they created who holds all these traditions within himself, and that helps him relate to such a broad spectrum [of people].”

The writer is an Atlanta-based journalist and USC Annenberg Fellow for Writing and Community Storytelling.



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Zohran Mamdani: the outsider insider, and now New York’s mayor


Chances are you have heard of Zohran Kwame Mamdani as the newly elected mayor of New York who played ‘Dhoom Machale’ at the end of his victory speech. Either that or you may have, like many of us, first stumbled upon him swinging from a New York lamppost, mouthing lines from Bollywood blockbusters Karz and Deewar. In the reel that went viral with over 40 million views, Mamdani flipped those iconic dialogues into the language of his campaign: power to tenants, dignity to workers, transit for all. He had reimagined Amitabh Bachchan’s defiance for Astoria’s working class.

In that brief reel, just as in the rest of his campaign, one could see everything that fuels him: the instinct for play, the hunger for story, the belief that narrative forges belonging. This, coupled with over 90,000 volunteers canvassing for him, delivered him the historic win for the job said to be the most difficult in American politics after the presidency. “People don’t realise what a movement it had become. Over three million doors were knocked. Mamdani really met people where they were at. Literally. On the streets, in train stations, in cultural settings like gurudwaras,” says Hana Mangat, a writer and organiser from Brooklyn, who worked on Mamdani’s campaign.

Son of cinema and critique

Mamdani has lived at the intersection of art and agitation. Before turning mayor-elect for New York, he was Mr. Cardamom, the rapper exploring his Indian and Ugandan roots. His mother, Mira Nair, an Oscar-nominated filmmaker, gave the world Mississippi Masala, Monsoon Wedding, and Salaam Bombay!. His father, Mahmood Mamdani, has spent a lifetime interrogating colonial power and teaching others to do the same. From her, Mamdani inherited the camera’s empathy; from him, the scholar’s impatience with injustice.

It’s no accident that his politics feels cinematic. He well understands pacing, framing, and character. He builds tension, releases it with humour, and punctuates speeches like a filmmaker cutting scenes. On the campaign trail, he didn’t just talk about housing and transit. He scripted a collective imagination where immigrants aren’t footnotes, they’re protagonists. His campaign wasn’t the language of glossy manifestos or billionaire donors; it was the rhythm of bus routes and bodegas. He talked about free public transit. City-run grocery stores. Affordable housing. Childcare that didn’t cost a paycheck. It was the kind of unglamorous, everyday stuff that actually decides whether a city is liveable.

And in doing that, he turned mundane policies into matters of the heart. He made the working class visible again, not as statistics but as characters with agency. “He shows an integrity that I would like my children to see in public service,” says Aarti S., a New York City resident who voted for him.

Aarti S.

Aarti S.

What began as a borough movement found resonance beyond New York City borders. With Mamdani’s quick wit, humour, and social media savvy, it spilled into national consciousness. For instance, the moment he spelled out his name for his opponent Andrew Cuomo became instantly viral, reborn online as the ‘Mamdani Song’, a cheeky remix of Gwen Stefani’s ‘Hollaback Girl’. People as far as Texas and Washington have been humming along to it.

A cultural shift

For South Asian voters who grew up on cassette tapes, pirated DVDs, and Sunday screenings, Mamdani’s Bollywood punch-up was more than nostalgia. It was rebellion. It said that culture isn’t soft power, it’s muscle. For generations, immigrants have been told to erase their identities to survive. The South Asian success story in America has been about fitting in: the Ivy League degree, the start-up hustle, the quiet pride of middle-class endurance, gratitude for the seat at the table.

Mamdani’s rise throws that narrative out the window. He refuses to perform the ‘good immigrant’ act of someone polite, apolitical, and endlessly grateful. He didn’t just pull up a chair. He built his own table and invited the city’s overlooked majority to sit beside him. And that’s a radical proposition in a culture that still rewards quiet assimilation.

“Mamdani becoming the first South Asian American mayor of New York City is not just a political milestone. This is a victory for every immigrant who came to New York hoping not only to live here but to belong here,” says Dilip Chauhan, a prominent South Asian community leader and former deputy comptroller of Nassau County.

In America’s political theatre, where immigrant candidates often sandpaper away their origins for mass appeal, Mamdani did the opposite. He used his South Asian identity as texture. He leaned into brownness not as branding, but as belonging. For the community, it marks a generational and cultural shift. Here’s a man who refuses to apologise for his noise. He’s brown, Muslim, socialist, loud, and still winning. “It’s a difficult time to be brown and Muslim in the country. I am excited that Mamdani is going to be representing us. I can already see momentum growing from his win and people realising that there is power in politics and voting,” says Nahiyan Taufiq, an organiser from Queens, who worked on his campaign. When he played ‘Dhoom Machale’ at his victory party, it was ownership, it was a joyous reclamation that told the crowd: we don’t have to mute where we come from to shape where we’re going.

Nahiyan Taufiq

Nahiyan Taufiq

The politics of timing

To understand the meaning of Mamdani’s win, one has to witness the mood of New York right now. Timing matters, and Mamdani’s couldn’t have been sharper. His win arrives at a moment when New York is tired of politicians who talk about equity while lunching with landlords. In a city as jaded as New York, authenticity is the rarest currency. Mamdani’s greatest gift was to sound unscripted in a space that thrives on spin.

The city that once prided itself on being the beating heart of liberal democracy had begun to look like a gated economy. The pandemic exposed faultlines that years of rhetoric had tried to plaster over: housing costs that make life precarious, public transit stretched thin, and a cost-of-living crisis that has left the city’s working class gasping for space.

While Mamdani has infused hope, there are questions too about whether he will be able to deliver. Many New Yorkers, even the ones who voted for him, wonder if his promises are feasible. “If he can reduce the cost of childcare, that would be great. Also, we need to retain our gifted programmes in schools,” says Aarti. “He said he would tax millionaires, but he does not have the authority to do that.”

Shyam, also a New York City resident, feels that Mamdani, with his inexperience, has been set up for failure. “Mamdani lacks experience, and there are many issues. Let’s take the example of rent freeze on apartments. 40% of apartments in New York City are rent-controlled. If the landlords are not allowed to raise rents, they are not likely to invest in repairing houses or building new ones.”

Despite these questions that also marked his campaign trail, the city has rallied behind him. For a city where immigrant energy has long been commodified but rarely celebrated, Mamdani’s ascent is a symbolic renewal. It says: the people who make New York work can also make it better. And that is the true meaning of his win: in not just the votes counted but in voices recovered.

The writer is an Atlanta-based journalist and USC Annenberg Fellow for Writing and Community Storytelling.



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Bank Employees Arts Movement Ernakulam hosts its 500th programme on November 15


Sudharani Raghupathy, Padma Subrahmanyam and Chitra Visweswaran at one of the programmes hosted by Beame

Sudharani Raghupathy, Padma Subrahmanyam and Chitra Visweswaran at one of the programmes hosted by Beame
| Photo Credit: SPECIAL ARRANGEMENT

Beame (Bank Employees Arts Movement Ernakulam) is celebrating a milestone on November 17. Its 500th monthly programme, MT Ezhuthinte Atmavu, a performance by Perambra Sabarmati Theatre Village, will be staged at TDM Hall.

Based on MT Vasudevan Nair’s plays, the performance, scripted by Amsis Mohamed and directed by Preman Muchukunnu, will be a blend of theatre, dance and music.

Actor Mammootty at Beame’s 100th programme

Actor Mammootty at Beame’s 100th programme
| Photo Credit:
SPECIAL ARRANGEMENT

Since Beame’s formation in 1983, the collective has been consistently organising programmes rooted in Indian musical, dance and theatrical traditions. Since its formal inauguration by writer Vaikkom Chandrasekharan Nair at the Kerala Fine Arts Hall, every month, Beame has hosted various kinds of performances by eminent artistes including a Bharatanatyam festival jointly conducted by Padma Subrahmanyam, Sudharani Raghupathy and Chitra Visweswaran. It brought musicians, dancers, artists, playwrights, filmmakers and practitioners of traditional arts from different parts of the world to the stage, thereby contributing to the cultural fabric of Kochi.

From Carnatic and Hindustani concerts to traditional and folk art forms, populist ganamelas to rap, contemporary dance, and theatre, Beame became a platform for the artistes to showcase their art. In addition to its monthly programmes, Beame has also screened films and organised cultural competitions.

The 501st event will be Navaneeth Unnikrishnan’s musical concert, on January 1, 2026.



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Ice orathi and pickled vegetables at the new food street on Kozhikode beach


Kozhikode beach feels quieter these days. The sea has pulled itself almost a kilometre away from the shore, and so have the blue carts that once dotted the beach. For years, those small stalls were part of the beach’s rhythm. They sold ice orathi, shaved ice soaked in sweet and spicy syrup, and jars filled with bright pickled mangoes, pineapples, and carrots. Now, they sit neatly arranged on the upper pavement, inside what the Kozhikode Corporation calls a “model food street.”

October 15 was the last day those carts served customers on the sand. The Kozhikode Corporation relocated 90 vendors as part of its effort to improve cleanliness and ensure food safety. Each stall now has a number, a uniform design, and financial backing from Kerala Gramin Bank. The shops were inaugurated on October 20. The initiative, led by the National Urban Livelihood Mission and the Department of Food Safety, aims to create a cleaner, better regulated vending space.

Officials call it a progressive step. For many in Kozhikode, it feels more like an emotional shift.

“The whole life of Calicut beach is in those stalls. That’s what made our beach different from others,” says Arathi EA, a Kozhikode native now living in Mumbai.

For those who have grown up by the sea, the memory of the beach is tied to the blue carts. The smell of vinegar rising from open jars mixed with the salty air, the sound of ice being crushed, and the taste of syrup dripping down your fingers were part of what made the place special. Families stood around, chatting over snacks. Photographers crouched low to capture the glow of the pickled fruits against the setting sun. It was never just about food; it was about belonging.

A dash of nostalgia

“The stalls made Kozhikode beach stand out,” says Krishnaveni, a local resident who has been visiting the beach since childhood. “You could find everything there, from uppilitta manga (pickled raw mango slices) and ice orathi to kallummakkaya (steamed and fried mussels tossed in a spicy mix of masala), tea and kada mutta (quail eggs). The beach wasn’t just about the sea, it was about the people, the noise, and the food that pulled everyone together.”

She believes that the relocation changes more than the view. “South Beach has a special energy. People, including women and children, stay there late into the night, sometimes until three or four in the morning. The food stalls kept the place alive. Without them on the sand, it feels a little empty,” she says.

The new food street looks clean and organised. The Corporation has promised running water, electricity, and lighting. The stalls are designed like small boxes, placed in a neat row facing the road.

The newly built stalls by the Kozhikode corporation.

The newly built stalls by the Kozhikode corporation.
| Photo Credit:
Special arrangement

Some vendors have embraced the change. Jabir MP, whose father, Siddique, began selling snacks at the beach in 2008 now runs Fryzen, one of the new pavement stalls, offering fries, burgers, and varieties of chicken dishes. “I took a loan of about three to four lakh rupees to set this up,” he says. “Only a few stalls have opened so far because many have not yet received electricity or water.”

The new structures look neat but feel cramped. “Three people can’t stand together inside. For items that need cooking, like pazhampori (banana fritters) or bajji, there isn’t enough space,” he explains. “We can’t expand outside either, because it’s not allowed.”

Still, Jabir appreciates what has improved. “Waste management has become much better. Earlier, people used to throw away cups and waste on the sand, and we had to clean it up. Now, it’s easier to keep the area clean,” he says. “I have grown up on this shore. My father worked hard here, and I want to take it forward in my own way. The beach is not just a place of business for me, it is home. I will always have an emotional connection with this place,” he added.

The beach itself looks wider and calmer, its sands no longer crowded by carts or customers. The Corporation hopes this separation will create a better balance between leisure and hygiene.

Heartbeart lost

Still, for many, the beach now feels like it has lost a bit of its heartbeat. “It is surely a void, not seeing those shops on the beach…. But this is also for the better. Now we don’t have to worry about crabs crawling under our feet. Hope this change will create some new memories ” says Swetha Arun, a freelance designer.

However, weeks after the inauguration of the new food street, waste management has turned out to be a challenge. What was once handled informally by the vendors themselves has become more difficult in the compact pavement setting. With little space between the stalls, dustbins are now too close to the counters, and garbage often spills over onto the walkway.

Several shopkeepers say that while the Corporation’s initiative is a step in the right direction, the lack of space and civic responsibility from visitors are creating problems. “It’s not enough if the city alone develops,” says a vendor. “People also have to care about keeping it clean.”

A recent video circulating on social media shows waste scattered along the footpath and seating areas, drawing criticism from locals and visitors alike. Many complained that it has become difficult to stand near the stalls because of the litter.

According to the Corporation’s bylaw for the food street, vendors are not allowed to use disposable plastic plates, cups, or cutlery. Yet many continue to rely on them, citing a lack of affordable alternatives. The bylaw also mentions that a street manager and six cleaning staff are to be deployed to maintain the food street, but vendors say their presence has been inconsistent in the first week of operation.

Change is part of every city’s story. Kozhikode has always evolved with time, yet some places hold more than memories; they hold a city’s character. The new stalls promise order and cleanliness, but the blue carts scattered along the shore, glowing in the evening light with people gathered around sharing stories, will always belong to the old Calicut.

Published – November 14, 2025 04:32 pm IST



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Ice orathi and pickled vegetables at the new food street on Kozhikode beach


Kozhikode beach feels quieter these days. The sea has pulled itself almost a kilometre away from the shore, and so have the blue carts that once dotted the beach. For years, those small stalls were part of the beach’s rhythm. They sold ice orathi, shaved ice soaked in sweet and spicy syrup, and jars filled with bright pickled mangoes, pineapples, and carrots. Now, they sit neatly arranged on the upper pavement, inside what the Kozhikode Corporation calls a “model food street.”

October 15 was the last day those carts served customers on the sand. The Kozhikode Corporation relocated 90 vendors as part of its effort to improve cleanliness and ensure food safety. Each stall now has a number, a uniform design, and financial backing from Kerala Gramin Bank. The shops were inaugurated on October 20. The initiative, led by the National Urban Livelihood Mission and the Department of Food Safety, aims to create a cleaner, better regulated vending space.

Officials call it a progressive step. For many in Kozhikode, it feels more like an emotional shift.

“The whole life of Calicut beach is in those stalls. That’s what made our beach different from others,” says Arathi EA, a Kozhikode native now living in Mumbai.

For those who have grown up by the sea, the memory of the beach is tied to the blue carts. The smell of vinegar rising from open jars mixed with the salty air, the sound of ice being crushed, and the taste of syrup dripping down your fingers were part of what made the place special. Families stood around, chatting over snacks. Photographers crouched low to capture the glow of the pickled fruits against the setting sun. It was never just about food; it was about belonging.

A dash of nostalgia

“The stalls made Kozhikode beach stand out,” says Krishnaveni, a local resident who has been visiting the beach since childhood. “You could find everything there, from uppilitta manga (pickled raw mango slices) and ice orathi to kallummakkaya (steamed and fried mussels tossed in a spicy mix of masala), tea and kada mutta (quail eggs). The beach wasn’t just about the sea, it was about the people, the noise, and the food that pulled everyone together.”

She believes that the relocation changes more than the view. “South Beach has a special energy. People, including women and children, stay there late into the night, sometimes until three or four in the morning. The food stalls kept the place alive. Without them on the sand, it feels a little empty,” she says.

The new food street looks clean and organised. The Corporation has promised running water, electricity, and lighting. The stalls are designed like small boxes, placed in a neat row facing the road.

The newly built stalls by the Kozhikode corporation.

The newly built stalls by the Kozhikode corporation.
| Photo Credit:
Special arrangement

Some vendors have embraced the change. Jabir MP, whose father, Siddique, began selling snacks at the beach in 2008 now runs Fryzen, one of the new pavement stalls, offering fries, burgers, and varieties of chicken dishes. “I took a loan of about three to four lakh rupees to set this up,” he says. “Only a few stalls have opened so far because many have not yet received electricity or water.”

The new structures look neat but feel cramped. “Three people can’t stand together inside. For items that need cooking, like pazhampori (banana fritters) or bajji, there isn’t enough space,” he explains. “We can’t expand outside either, because it’s not allowed.”

Still, Jabir appreciates what has improved. “Waste management has become much better. Earlier, people used to throw away cups and waste on the sand, and we had to clean it up. Now, it’s easier to keep the area clean,” he says. “I have grown up on this shore. My father worked hard here, and I want to take it forward in my own way. The beach is not just a place of business for me, it is home. I will always have an emotional connection with this place,” he added.

The beach itself looks wider and calmer, its sands no longer crowded by carts or customers. The Corporation hopes this separation will create a better balance between leisure and hygiene.

Heartbeart lost

Still, for many, the beach now feels like it has lost a bit of its heartbeat. “It is surely a void, not seeing those shops on the beach…. But this is also for the better. Now we don’t have to worry about crabs crawling under our feet. Hope this change will create some new memories ” says Swetha Arun, a freelance designer.

However, weeks after the inauguration of the new food street, waste management has turned out to be a challenge. What was once handled informally by the vendors themselves has become more difficult in the compact pavement setting. With little space between the stalls, dustbins are now too close to the counters, and garbage often spills over onto the walkway.

Several shopkeepers say that while the Corporation’s initiative is a step in the right direction, the lack of space and civic responsibility from visitors are creating problems. “It’s not enough if the city alone develops,” says a vendor. “People also have to care about keeping it clean.”

A recent video circulating on social media shows waste scattered along the footpath and seating areas, drawing criticism from locals and visitors alike. Many complained that it has become difficult to stand near the stalls because of the litter.

According to the Corporation’s bylaw for the food street, vendors are not allowed to use disposable plastic plates, cups, or cutlery. Yet many continue to rely on them, citing a lack of affordable alternatives. The bylaw also mentions that a street manager and six cleaning staff are to be deployed to maintain the food street, but vendors say their presence has been inconsistent in the first week of operation.

Change is part of every city’s story. Kozhikode has always evolved with time, yet some places hold more than memories; they hold a city’s character. The new stalls promise order and cleanliness, but the blue carts scattered along the shore, glowing in the evening light with people gathered around sharing stories, will always belong to the old Calicut.

Published – November 14, 2025 04:32 pm IST



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A new book chronicles the travels of three adopted Indies on Indian trains


The train pulled out of Old Delhi. On the narrow wooden berth, tucked under a blanket and two travel bags, a lean indie dog lay so still that ticket-checkers walked past without noticing. It had been the same trick 55 times. “She hid for 55 train journeys,” Divya Dugar says with a chuckle. “She was never caught. She knew when to lie absolutely still and when to get up, indies are so intelligent and loving,” says the freelance journalist and documentary producer.  

The first-class coupe of the Indian Railways allows you to travel with two dogs, which requires you to get a parcel office receipt. “If they find out I have a third dog, then I would need to pay a hefty fine,” adds Divya, whose latest book, Chaos in a Coupe: Travelling across India with Three Dogs (published by Harper Collins), is a love letter to India’s ‘desi’ dogs.

Divya Dugar

Divya Dugar
| Photo Credit:
Special Arrangement

For a decade, Divya and her three adopted indies — Tigress, Marco Polo and Pari — travelled across India by train, hitchhiked in Uttarakhand, spent months in quaint village houses in Goa and Rajasthan, and even flew to Paris and Normandy. Their outings were never flamboyant. They were meticulously researched and planned to be immersive and exploratory. They also turned out to be lessons to her followers on Instagram (@chaosinacoupe) on how to travel with their dogs, particularly on Indian trains.

Travel tips
– Always book two first-class tickets and select ‘Coupe’ as your seat preference. If you’re traveling with friends or family, you can book four seats with a cabin preference instead.
– Don’t forget to send a handwritten letter to the Chief Commercial Officer Reservation requesting a coupe or cabin.
– Pick a train that originates from your boarding station. This increases your chances of getting a coupe. Avoid peak seasons and weekends, when first-class seats are in high demand.
– If your co-passenger agrees to share the space, the Ticket Examiner cannot force you to deboard. They may fine you, but they cannot deny travel. Remember, the Parcel Office books dogs only if you’ve secured a full coupe or cabin.
– Carry a small medicine kit for emergencies, and bring a blanket or shawl; the AC can get quite cold.
– If your pet gets anxious, double-leash them with a collar and harness for added security.

To date, Divya, her husband Olivier, two kids and three dogs have undertaken 75 train journeys and 40 road trips. “I started travelling with my dogs in 2016. It was never supposed to be a book. It was for myself and them. We had no itinerary and to-do lists to tick off, and we would zone in on a place to stay.”

Divya Dugar with her pets

Divya Dugar with her pets
| Photo Credit:
Special Arrangement

That off-the-map approach meant she found old houses, and established deep bonds with the locals. Their dogs and they would become part of the neighbourhood. “We knew the local vegetable sellers, barbers, and neighbours and their pets and the community dogs. The dogs knew which train had the pantry and knew the pantry staff well as they had travelled by the same train several times. They would follow the staff to see if they have a chicken cutlet on the menu. They had a special affinity for trains like Duronto and Rajdhani. They even knew which hotels put out extra baby beds.”

Divya’s storytelling constructs a portrait of animals who are adaptable, intuitive, and intelligent. “Pari was traumatised when I rescued her. She was abused, and had been hurt by construction workers. She is at her best behaviour in luxury hotels and sits calmly during train journeys. With love and compassion she overcame everything but she is still uncomfortable around a group of small boys because she was hurt by them,” shares the author.

Divya currently lives in Bangkok with her husband, kids, and dogs Pari and Marco Polo

Divya currently lives in Bangkok with her husband, kids, and dogs Pari and Marco Polo
| Photo Credit:
Special Arrangement

Currently living in Bangkok, she says her dogs taught her to slow down. “They showed me how to relish the ordinary things.” Her practical anecdotes are instructive and charming in equal measure. Train travel with dogs, she explains, is not impossible. “The trick is to find a train that originates at your boarding station and to write a letter to the Chief Commercial Officer of Reservations two days before departure.”

To date, Divya, her husband Olivier, two kids and three dogs have undertaken 75 train journeys and 40 road trips

To date, Divya, her husband Olivier, two kids and three dogs have undertaken 75 train journeys and 40 road trips
| Photo Credit:
Special Arrangement

Divya also writes candidly about loss. Tigress, who had been with her for 16 years, passed on two years ago. “There was a lot of heartbreak, a lot of tears. Writing the book forced me to relive those moments. You come face-to-face with your grief every single day when you write a book like this.”

Divya with her child and Indies

Divya with her child and Indies
| Photo Credit:
Special Arrangement

She adds that the book is not a mere travelogue, but carries an urgent message about how we see and treat indies. In cities across India, street dogs are increasingly being misunderstood, seen as a nuisance, a danger, and an inconvenience. Divya’s experience refutes that narrative. “They are not security guards or stray nuisances,” she says. “They are companions, each with a personality. They deserve patience and dignity.”

Divya wants more people to consider adoption and to understand how hard indies’ lives are on the streets. “Their aggression and behaviour stem from deep-rooted experiences of fear, abuse, intolerance and hunger endured on the streets.”

Divya’s storytelling constructs a portrait of animals who are adaptable, intuitive, and intelligent

Divya’s storytelling constructs a portrait of animals who are adaptable, intuitive, and intelligent
| Photo Credit:
Special Arrangement

Ultimately, it’s an ordinary story of three extraordinary travellers with the Indian Railways playing the role of a big enabler. “Because it has these three wonderful docs teaching us life lessons, it just becomes extraordinary. I think this story is much bigger than Marco Polo, Tigress, and Paris. They represent all the street dogs of India.”

Priced at ₹499, the book is available online

Published – November 14, 2025 04:25 pm IST



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